MARC Record from harvard_bibliographic_metadata

LEADER: 01651cam a2200313 a 4500
001 011792834-8
005 20090225102443.0
008 080618s2008 enka b 001 0 eng
010 $a 2008027112
020 $a9780521887953 (hardback)
020 $a052188795X (hardback)
035 0 $aocn232358229
040 $aDLC$cDLC$dBTCTA$dBAKER$dYDXCP$dBWKUK$dBWK$dBWX$dCDX$dDLC
043 $an-us---
050 00 $aPS310.A76$bL65 2008
082 00 $a811/.509$222
100 1 $aLoizeaux, Elizabeth Bergmann.
245 10 $aTwentieth-century poetry and the visual arts /$cElizabeth Bergmann Loizeaux.
260 $aCambridge, UK :$aNew York :$bCambridge University Press,$c2008.
300 $axii, 261 p. :$bill. ;$c26 cm.
504 $aIncludes bibliographical references (p. [236]-254) and index.
505 0 $aIntroduction : the engaging eye : ekphrasis and twentieth-century poetry -- Private lives in public places : Yeats and Durcan in Dublin's galleries -- Bystanding in Auden's "Musée" -- Women looking : the feminist ekphrasis of Marianne Moore and Adrienne Rich -- Ekphrasis in conversation : Anne Sexton and W.D. Snodgrass on Van Gogh -- Ekphrasis in collaboration : Ted Hughes's and Leonard Baskin's Cave birds : an alchemical cave drama -- Ekphrasis in the book : Rita Dove's African American museum.
650 0 $aAmerican poetry$y20th century$xHistory and criticism.
650 0 $aEnglish poetry$y20th century$xHistory and criticism.
650 0 $aArt and literature$zUnited States$xHistory$y20th century.
650 0 $aArt and literature$zGreat Britain$xHistory$y20th century.
650 0 $aEkphrasis.
988 $a20081220
906 $0DLC