| Record ID | harvard_bibliographic_metadata/ab.bib.11.20150123.full.mrc:420359144:1159 |
| Source | harvard_bibliographic_metadata |
| Download Link | /show-records/harvard_bibliographic_metadata/ab.bib.11.20150123.full.mrc:420359144:1159?format=raw |
LEADER: 01159cam a22003014a 4500
001 011474010-0
005 20080613133643.0
008 070606s2008 enka b 001 0 eng
010 $a 2007023678
015 $aGBA749346$2bnb
016 7 $a013778749$2Uk
020 $a9780754650966 (alk. paper)
020 $a0754650960 (alk. paper)
035 0 $aocn144330260
040 $aDLC$cDLC$dUKM$dBAKER$dBTCTA$dYDXCP$dBWKUK$dBWK
050 00 $aPR5115.P2$bZ84 2008
082 00 $a824/.8$222
100 1 $aPulham, Patricia,$d1959-
245 10 $aArt and the transitional object in Vernon Lee's supernatural tales /$cPatricia Pulham.
260 $aAldershot, England ;$aBurlington, VT :$bAshgate,$cc2008.
300 $axxi, 166 p. :$bill. ;$c25 cm.
504 $aIncludes bibliographical references (p. [149]-160) and index.
505 0 $aCastrato cries and wicked voices -- A white and ice-cold world -- Pinted dolls and virgin mothers -- Madonna portraits and medusan mirrors.
600 10 $aLee, Vernon,$d1856-1935$xCriticism and interpretation.
650 0 $aFantasy fiction, English$xHistory and criticism.
988 $a20080524
049 $aHLSS
906 $0DLC