MARC Record from harvard_bibliographic_metadata

LEADER: 04663cam a2200385 a 4500
001 011442308-3
005 20080521124738.0
006 juun | n | |
008 070806s2008 maua b 001 0 eng
010 $a 2007032443
020 $a9780262633635 (pbk. : alk. paper)
035 0 $aocn165478021
040 $aDLC$cDLC$dDLC$dHMU
050 00 $aML197$b.S694 2008
082 00 $a780.9/05$222
245 00 $aSound unbound :$bsampling digital music and culture /$cedited by Paul D. Miller.
246 30 $aSampling digital music and culture
260 $aCambridge, Mass. :$bMIT Press,$cc2008.
300 $axi, 416 p. :$bill. ;$c23 cm. +$e1 sound disc (digital ; 4 3/4 in.)
504 $aIncludes bibliographical references and index.
500 $aAccompanying compact disc contains excerpts and allegories from the Sub Rosa Catalog.
505 1 $aAn introduction, or my (ambiguous) life with technology / Steve Reich -- In through the out-door: sampling and the creative act / Paul D. Miller -- The future of language / Saul Williams -- The ecstacy of influence: a plagiarism mosaic / Jonathan Lethem -- Roots and wires remix: polyrhythmic tricks and the black electronic / Erik Davis -- The life and death of media / Bruce Sterling -- Un-imagining utopia / Dick Hebdige -- Freaking the machine: a discussion about Keith Obadike's sexmachines / Keith & Mendi Obadike -- Freeze frame: audio, aesthetics, sampling, and contemporary multimedia / Ken Jordan and Paul D. Miller -- A theater of ideas: an interview with Steve Reich and Beryl Korot on three tales / David Allenby -- Quantum improvisation: the cybernetic presence / Pauline Oliveros -- The ghost outside the machine / Scanner aka Robin Rimbaud -- The musician as thief: digital culture and copyright law / Daphne Keller --
505 1 $aIntegrated systems: mobile stealth unit / Beth Coleman and Howard Goldkrand -- An interview with Moby / Lucy Walker -- Zing! Went the strings / Joseph Lanza -- Renegade academia / Simon Reynolds -- The world of sound: a division of Raymond Scott Enterprises / Jeff E. Winner -- From hip-hip to flip-flop: black noise in the master-slave circuit / Ron Eglash -- South Africa's rhythms of resistance / Lee Hirsch -- The virtual breeding of sound / Manuel De Landa -- Zoom: mining acceleration / Liminal Product: Frances Dyson and Douglas Kahn -- An interview with Alex Steinweiss / Carlo McCormick -- Stop. hey. What's that sound? / Ken Jordan -- Permuting connections: software for dancers / Scott deLahunta -- On iprovisation, temporality, and embodied experience / Vijay Iyer -- Spin the painting: an interview with Nadine Robinson / Alondra Nelson -- Camera Lucida: three-dimensional sonochemical observatory / Evelina Domnitch and Dmitry Gelfand --
505 1 $aFear of a Muslim planet: hip-hop's hidden history / Naeem Mohaiemen -- Three pieces / Chuck D -- Bells and their history / Brian Eno -- What one must do: comments and asides on musical philosophy / Daniel Bernard Roumain -- An interview with Pierre Boulez / Hans Ulrich Obrist and Philippe Parreno -- Adh'an: the sounds of an Islamized orthodoxy / Ibrahim Quraishi -- Theatre of the spirits: Joseph Cornell and silence / Catherine Corman -- Where did the music go? / Jaron Lanier.
520 $aIf Rhythm Science was about the flow of things, Sound Unbound is about the remix--how music, art, and literature have blurred the lines between what an artist can do and what a composer can create. In Sound Unbound, Rhythm Science author Paul Miller aka DJ Spooky that Subliminal Kid asks artists to describe their work and compositional strategies in their own words. These are reports from the front lines on the role of sound and digital media in an information-based society. "Press 'play,'" Miller writes, "and this anthology says 'here goes.'" The groundbreaking mix CD that accompanies this book features Nam Jun Paik, the Dada Movement, John Cage, Sonic Youth, and many other examples of avant-garde music. Most of the CD's content comes from the archives of Sub Rosa, a legendary record label that has been the benchmark for archival sounds since the beginnings of electronic music [Publisher description]
650 0 $aMusic$y21st century$xHistory and criticism.
650 0 $aMusic and technology.
650 0 $aPopular culture$y21st century.
650 0 $aSampling (Sound)$y21st century$xHistory and criticism.
655 0 $aSampling (Sound)
700 0 $aDJ Spooky That Subliminal Kid.$4edt
700 0 $aDJ Spooky That Subliminal Kid.
776 08 $iOnline version:$tSound unbound.$dCambridge, Mass. : MIT Press, c2008$w(OCoLC)636704587
988 $a20080418
906 $0DLC