MARC Record from harvard_bibliographic_metadata

LEADER: 04980cam a2200397 a 4500
001 011369610-8
005 20080220141242.0
008 070820s2008 enk b 001 0 eng
015 $aGBA766053$2bnb
016 7 $a013823543$2Uk
020 $a0335219241 (hbk.)
020 $a9780335219247 (hbk.)
020 $a0335219233 (pbk.)
020 $a9780335219230 (pbk.)
035 0 $aocn166314914
040 $aUKM$cUKM$dBTCTA$dBAKER$dYDXCP$dBWKUK
050 4 $aPN1993.5.A1$bC85 2008
082 04 $a791.4375$222
245 04 $aThe cult film reader /$cedited by Ernest Mathijs and Xavier Mendik.
260 $aMaidenhead, England :$bMcGraw Hill/Open University Press,$c2008.
300 $axxii, 549 p. ;$c25 cm.
504 $aIncludes bibliographical references (p. [495]-521) and indexes.
505 00 $tThe concept of cult:$tFilm cults /$rHarry Allan Potamkin.$tThe work of art in the age of mechanical reproduction /$rWalter Benjamin.$tNotes on "camp" /$rSusan Sontag.$tUses of camp /$rAndrew Ross.$tCasablanca : cult movies and intertextual collage /$rUmberto Eco.$tScience fiction double feature : ideology in the cult film /$rBarry K. Grant.$tSemiotics by instinct : "cult film" as a signifying practice between film and audience /$rAnne Jerslev.$t"Trashing" the acadamy : taste, excess and an emerging politics of cinematic style /$rJeffrey Sconce.$tSleaze mania, Euro-trash and high art : the place of European art films in American low culture /$rJoan Hawkins.$tMedia fandom, neoreligiousity and cult(ural) studies /$rMatt Hills.$tCult fictions : cult movies, subcultural capital and the production of cultural distinctions /$rMark Jancovich --$tCult case studies:$gUn$tchien andalou /$rJean Vigo.
505 00 $tThe anxiety of influence : Georges Franju and the medical horrorshows of Jess Franco /$rJoan Hawkins.$tThe obscene seen : spectacle and transgression in postwar burlesque films /$rEric Schaefer.$tOrson Welles and the big experimental film cult /$rParker Tyler.$tLittle cinema of horrors /$rGary Hentzi.$tWhat is a cult horror film? /$rWelch Everman.$tBlaxploitation horror films : generic reappropriation or reinscription? /$rHarry Benshoff.$tCarter in context /$rSteve Chibnall.$tThe future of allusion : Hollywood in the seventies (and beyond) /$rNoel Carroll.$tHitchcock in Texas : intertextuality in the face of blood and gore /$rJanet Staiger.$tThe essential evil in/of Eraserhead (or, Lynch to the contrary) /$rSteven Jay Schneider.$tThe cult of horror /$rLawrence O'Toole.$tThe Blair witch project : film and the internet /$rJ.P. Telotte --$tNational and international cults:$tEl topo : through the wasteland of the counterculture /
505 00 $rJ. Hoberman and Jonathan Rosenbaum.$tPlaying with genre : an introduction to the Italian giallo /$rGary Needham.$tHan's island revisited : Enter the dragon as transnational cult film /$rLeon Hunt.$tMagical girls and atomic bomb sperm : Japanese animation in America /$rAnnalee Newitz.$tThe killer : cult film and transcultural (mis)reading /$rJinsoo An.$tTrading in horror, cult and matricide : Peter Jackson's phenomenal bad taste and New Zealand fantasies of inter/national cinematic success /$rHarmony Wu.$tInvisible representation : the oral contours of a national popular cinema /$rSheila J. Nayar.$tMute bodies, disembodied voices : notes on sound in Turkish popular cinema /$rNezih Erdoǧan.$tIchi the killer /$rTom Mes --$tCult consumption:$tCult of distraction : on Berlin's picture palaces /$rSiegfried Kracauer.$tIntroduction to distinction /$rPierre Bourdieu.$tPortrait of a cult film audience : The Rocky Horror picture show /$rBruce A. Austin.
505 00 $tSubcultural studies and the film audience : rethinking the film viewing context /$rGina Marchetti.$t'Fans' notes : the horror film fanzine /$rDavid Sanjek.$tGet a life! : fans, poachers, nomads /$rHenry Jenkins.$tThe cultural economy of fandom /$rJohn Fiske.$tThe crash controversy : reviewing the press /$rMartin Barker, Jane Arthurs, Ramaswami Harindranath.$tBeaver Las Vegas! : a fan-boy's defence of Showgirls /$rI.Q. Hunter.$tMenstrual monsters : the reception of the Ginger snaps cult horror franchise /$rMartin Barker, Ernest Mathijs, Xavier Mendik.
520 $a'The Cult Film Reader' contains major essays written on the structure, form, status, and reception of global cult cinema traditions. It includes work from key established scholars in the field, including Janet Staiger, Jeffrey Sconce and Umberto Eco, as well as new takes on the gradually developing canon of cult cinema.
650 0 $aMotion pictures$xHistory.
650 0 $aCult films$xHistory and criticism.
655 7 $aCriticism, interpretation, etc.$2fast
655 7 $aHistory.$2fast
700 1 $aMathijs, Ernest.
700 1 $aMendik, Xavier.
776 08 $iOnline version:$tCult film reader.$dMaidenhead, Berkshire, England ; New York : Open University Press/McGraw-Hill Education, 2008$w(OCoLC)608573692
988 $a20080124
906 $0OCLC