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Record ID harvard_bibliographic_metadata/ab.bib.11.20150123.full.mrc:264218302:3158
Source harvard_bibliographic_metadata
Download Link /show-records/harvard_bibliographic_metadata/ab.bib.11.20150123.full.mrc:264218302:3158?format=raw

LEADER: 03158cam a2200385 a 4500
001 011313076-7
005 20100802105801.0
008 070809s2007 nyuah bc 001 0 eng
015 $aGBA764139$2bnb
016 7 $a013818158$2Uk
020 $a9780870707179 (pbk.)
020 $a0870707175 (pbk.)
035 0 $aocn154788285
040 $aUKM$cUKM$dBTCTA$dBAKER$dYDXCP$dBWX$dW4M$dMH-FA
050 4 $aNC258.S4$bA4 2007
082 04 $a741.944$222
100 1 $aHauptman, Jodi.
245 10 $aGeorges Seurat :$bthe drawings /$cJodi Hauptman ; with essays by Karl Buchberg ... [et al.].
260 $aNew York :$bMuseum of Modern Art ;$bDistributed in the U.S. and Canada by D.A.P., Distributed Art Publishers,$c2007.
300 $a269 p. :$bcol. ill., facsims. ;$c26 cm
500 $aCatalog of an exhibition held at the Museum of Modern Art, New York, Oct. 28, 2007-Jan. 7, 2008.
504 $aIncludes bibliographical references (p. 258-259) and index.
505 0 $aForeword / Glenn D. Lowry -- Introduction / Jodi Hauptman -- Seurat distracted / Richard Shiff -- Seurat: materials and techniques / Karl Buchberg -- Plates I -- Medium and miasma: Seurat's drawings on the margins of Paris / Jodi Hauptman -- Polka dots and moonbeams / Hubert Damisch -- Plates II -- The imperatives of style: Seurat's drawings, 1886-1891 / Richard Thomson -- Seurat as mentor / Bridget Riley -- Plates III -- Catalogue of the exhibition / Tricia Yunjoo Paik -- Chronology / Vérene Tasseau.
520 1 $a"Once described as "the most beautiful painter's drawings in existence," Georges Seurat's mysterious and radiant works on paper played a crucial role in his career. Though Seurat is most often remembered as the inventor of pointillism and for paintings like Un Dimanche a la Grande Jatte, his incomparable drawings are among his - and modernism's - greatest achievements. Working primarily with conte crayon on paper, Seurat explored the Parisian metropolis and its environs, abstracted figures, spaces, and structures, and dramatized the relationship between light and shadow, creating a distinct body of work that is a touchstone for art the twentieth century and today." "Accompanying the first exhibition in almost twenty-five years to focus exclusively on Seurat's drawings, this volume surveys the artist's entire oeuvre - from his academic training and the emergence of his unique methods to the studies made for his monumental canvases. Distinguished writers present important new research on Seurat's artistic strategies, materials, and themes."--Jacket.
600 10 $aSeurat, Georges,$d1859-1891$vExhibitions.
650 0 $aDrawing, French$y19th century$vExhibitions.
700 1 $aSeurat, Georges,$d1859-1891.
700 1 $aBuchberg, Karl.
710 2 $aMuseum of Modern Art (New York, N.Y.)
700 1 $aUpdike, John,$eformer owner,$eannotator.$5hou
752 $aUnited States$bNew York$dNew York.
700 1 $aHauptman, Jodi.
776 08 $iOnline version:$aSeurat, Georges, 1859-1891.$tGeorges Seurat.$dNew York : Museum of Modern Art ; London : Thames & Hudson [distributor], ©2007$w(OCoLC)608025247
988 $a20071116
906 $0OCLC