| Record ID | harvard_bibliographic_metadata/ab.bib.11.20150123.full.mrc:243518949:1277 |
| Source | harvard_bibliographic_metadata |
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LEADER: 01277cam a2200313 a 4500
001 011293448-X
005 20071114154934.0
008 061027s2007 nyuag b 001 0 eng
010 $a 2006036187
015 $aGBA743515$2bnb
016 7 $a013761787$2Uk
020 $a9781580462488 (hardcover : alk. paper)
020 $a1580462480
035 0 $aocm76800651
040 $aDLC$cDLC$dBAKER$dBTCTA$dUKM$dC#P$dYDXCP$dHMU
050 00 $aML3812$b.D33 2007
082 00 $a781.2/65$222
100 1 $aDay-O'Connell, Jeremy.
245 10 $aPentatonicism from the eighteenth century to Debussy /$cJeremy Day-O'Connell.
260 $aRochester, NY :$bUniversity of Rochester Press,$c2007.
300 $axviii, 529 p. :$bill., music ;$c24 cm.
440 0 $aEastman studies in music,$x1092-5228
504 $aIncludes bibliographical references (p. [499]-514) and index.
505 0 $aScale. The rise of 6̂ in the nineteenth century -- Signification. The pastoral-exotic pentatonic ; The religious pentatonic -- Beyond signification. The pentatonic glissando ; Debussy and the pentatonic tradition.
650 0 $aPentatonic scales.
650 0 $aMusic$y18th century$xHistory and criticism.
650 0 $aMusic$y19th century$xHistory and criticism.
988 $a20071023
906 $0DLC