| Record ID | harvard_bibliographic_metadata/ab.bib.10.20150123.full.mrc:165985059:968 |
| Source | harvard_bibliographic_metadata |
| Download Link | /show-records/harvard_bibliographic_metadata/ab.bib.10.20150123.full.mrc:165985059:968?format=raw |
LEADER: 00968pam a22002774a 4500
001 010231080-7
005 20070221105540.0
008 060517r20061991mnua b s001 0 eng
010 $a 2006015938
020 $a0816649707 (pb : alk. paper)
020 $a9780816649709 (pb : alk. paper)
024 3 $a9780816649709
035 0 $aocm69331418
040 $aDLC$cDLC$dYDX$dBAKER$dBTCTA$dYDXCP
042 $apcc
050 00 $aPN1995$b.C63 2006
082 00 $a791.4309$222
100 1 $aConley, Tom.
245 10 $aFilm hieroglyphs :$bruptures in classical cinema /$cTom Conley, with a new Introduction.
260 $aMinneapolis :$bUniversity of Minnesota Press,$cc2006.
300 $axlvi, 252 p. :$bill. ;$c23 cm.
504 $aIncludes bibliographical references (p. 217-241) and index.
500 $aOriginally published: Minneapolis : University of Minnesota Press, 1991.
650 0 $aMotion picture plays$xHistory and criticism.
988 $a20060914
906 $0DLC