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Record ID harvard_bibliographic_metadata/ab.bib.09.20150123.full.mrc:278301550:3535
Source harvard_bibliographic_metadata
Download Link /show-records/harvard_bibliographic_metadata/ab.bib.09.20150123.full.mrc:278301550:3535?format=raw

LEADER: 03535cam a2200301 a 4500
001 009273962-8
005 20051006160842.0
008 030613s2004 enkab b 001 0 eng
010 $a 2003013504
020 $a0415252830 (alk. paper)
020 $a0415252849 (pbk. : alk. paper)
035 0 $aocm52471537
040 $aDLC$cDLC$dYDX
050 00 $aPN1995.75$b.S547 2004
082 00 $a791.43/09$221
245 04 $aThe silent cinema reader /$cedited by Lee Grieveson and Peter Krämer.
260 $aLondon ;$aNew York :$bRoutledge,$c2004.
300 $axvii, 423 p. :$bill., map ;$c26 cm.
504 $aIncludes bibliographical references (p. [401]-415) and index.
505 1 $a1. Introduction -- 2. Prologue: introduction -- 3. At the beginning: motion picture production, representation and ideology at the Edison and Lumiere Companies / Charles Musser -- 4. Film projection and variety shows: introduction -- 5. Now you see it, now you don't: the temporality of the cinema of attractions / Tom Gunning --6. The Kiss in the tunnel (1899), G.A. Smith and the emergence of the edited film in England / Frank Gray -- 7. The cinema of attractions in France, 1896-1904 / Richard Abel -- 8. Storytelling and the nickelodeon: introduction -- 9. Moving towards fictional narratives: story films become the dominant product, 1903-1907 / Charles Musser -- 10. Path ̌goes to town': French films create a market for the nickelodeon, 1903-1906 / Richard Abel -- 11. Manhattan nickelodeons: new data on audiences and exhibition / Ben Singer -- 12. Cinema and reform: introduction.
505 1 $a13. From the opium den to the theatre of morality: moral discourse and the film process in early American cinema / Tom Gunning -- 14. How many times shall Caesar bleed in sport: Shakespeare and the cultural debate about moving pictures / Roberta E. Pearson and William Uricchio -- 15. Fighting films: race, morality, and the governing of cinema, 1912-1915 / Lee Grieveson -- 16. Feature films and cinema programmes: introduction -- 17. A Star is born: American culture and the dynamics of Charlie Chaplin's star image, 1913-1916 / Charles J. Maland -- 18. An awful struggle between love and ambition: serial heroines, serial stars and their female fans / Shelley Stamp -- 19. Traffic in souls (1913): an experiment in feature-length narrative construction / Ben Brewster -- 20. Race, melodrama and The birth of a nation (1915) / Linda Williams -- 21. The international exploration of cinematic expressivity / Kristin Thompson --22. Classical Hollywood cinema: introduction.
505 1 $a23. The making of a comic star: Buster Keaton and The Saphead (1920) / Peter Kramer -- 24. The perfect lover?: Valentino and ethnic masculinity in the 1920s / Gaylyn Studlar -- 25. The new woman and consumer culture: Cecil B. DeMille's sex comedies / Sumiko Higashi -- 26. The open door: Hollywood's public relations at home and abroad, 1922-1928 / Ruth Vasey -- 27. European cinemas: introduction -- 28. New notes on Russian film culture between 1908 and 1919 / Yuri Tsivian. -- 29. Early alternatives to the Hollywood mode of production: implications for Europe's avant-garde / Kristin Thompson -- 30. Monumental heroics: form and style in Eisenstein's silent films / David Bordwell -- 31. Art and industry: German cinema of the 1920s / Joseph Garncarz.
650 0 $aSilent films$xHistory and criticism.
650 0 $aMotion pictures$xHistory.
700 1 $aGrieveson, Lee,$d1969-
700 1 $aKrämer, Peter,$d1961-
988 $a20040123
906 $0DLC