MARC Record from harvard_bibliographic_metadata

LEADER: 01767cam a22002771 4500
001 000963094-5
005 20020606090541.3
008 721213s1955 nyua 00000 engm
010 $a 55006749 /L/r85
035 0 $aocm00369622
035 0 $aocm00369622$zocm00813057
040 $aDLC$cDLC$dm.c.
050 0 $aN6370$b.S95
082 $a709.03
100 1 $aSypher, Wylie.
245 10 $aFour stages of Renaissance style;$btransformations in art and literature, 1400-1700.
250 $a[1st ed.]
260 0 $aGarden City, N.Y.,$bDoubleday,$c1955.
300 $a312 p.$billus.$c18 cm.
490 0 $aDoubleday anchor original A45
505 0 $aThe analogy of forms in art -- Renaissance -- I. The Gothic system : problems -- II. Renaissance composition -- III. Interferences and transformations -- Mannerism -- I. The missing term -- II. Disturbed balance -- III. Techniques of accommodation -- IV. The dramatic artifice -- V. The revolving view -- VI. Unresolved tensions -- VII. Shifting planes of reality -- Baroque -- I. Reintegration -- II. Resolution in the flesh -- III. Resolution in energy -- IV. Resolution in space -- V. Baroque and academic -- VI. The image in space -- VII. Resolution by height -- VIII. From baroque to Kitsch -- IX. Resolution by light -- Late-baroque -- I. The "neoclassical" tradition -- II. The system of reversal and balance -- III. Psychological symmetry -- IV. The mechanics of expression -- V. The late-baroque purification : Racine.
504 $aIncludes bibliographical references (pages 298-302) and index.
650 0 $aArts, Renaissance.
776 08 $iOnline version:$aSypher, Wylie.$tFour stages of Renaissance style.$b[1st ed.].$dGarden City, N.Y., Doubleday, 1955$w(OCoLC)557868844
988 $a20020608
906 $0DLC