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This 19th century music treatise discusses the nature of harmony and meter. Hauptmann finds rational explanations for musical harmony and meter from a Hegelian perspective, i.e., that of thesis, antithesis, and synthesis (he uses the terms unity, opposition, and unified oposition). Harmonically, Hauptmann is essentially a dualist like Oettigen, Riemann, and others.
Publish Date
1888
Publisher
S. Sonnenschein
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Subjects
Harmony, Musical meter and rhythmShowing 3 featured editions. View all 3 editions?
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- Created April 1, 2008
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August 8, 2012 | Edited by ImportBot | import new book |
April 14, 2010 | Edited by Open Library Bot | Linked existing covers to the edition. |
December 14, 2009 | Edited by WorkBot | link works |
April 1, 2008 | Created by an anonymous user | Imported from Internet Archive item record |