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"La photo en noir et blanc d'une petite fille en maillot de bain foncé, sur une plage de galets. En fond, des falaises. Elle est assise sur un rocher plat, ses jambes robustes étendues bien droites devant elle, les bras en appui sur le rocher, les yeux fermés, la tête légèrement penchée, souriant. Une épaisse natte brune ramenée par-devant, l'autre laissée dans le dos. Tout révèle le désir de poser comme les stars dans Cinémonde ou la publicité d'Ambre Solaire, d'échapper à son corps humiliant et sans importance de petite fille. Au dos: août 1949, Sotteville-sur-Mer. "Au travers de photos et de souvenirs laissés par les événements, les mots et les choses, Annie Ernaux nous fait ressentir le passage des années, de l'après-guerre à aujourd'hui. En même temps, elle inscrit l'existence dans une forme nouvelle d'autobiographie, impersonnelle et collective.
"The black and white photo of a girl in a dark swimsuit on a pebble beach, at the base of the cliffs. She is sitting on a flat rock, her strong legs extended straight in front of her, arms supporting her on the rock, eyes closed, head slightly bowed, smiling. The photo reveals all her desire to pose like stars in Cinemonde or advertising of Amber Solaire and escape the humiliating body of an unimportant girl. On the back: August 1949 Sotteville-sur-Mer." Through photos and memorabilia left by events, words and things, Annie Ernaux makes us feel the passage of time, from the post-war to today. At the same time, she enters her life in a new form of autobiography, collective and impersonal.
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Les années
Jan 01, 2010, GALLIMARD, French and European Publications Inc
pocket book
in French
2070402479 9782070402472
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Source title: Annees (Folio) (French Edition)
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"Available in English for the first time, the latest astonishing, bestselling, and award-winning book by Annie Ernaux. The Years is a personal narrative of the period 1941 to 2006 told through the lens of memory, impressions past and present -- even projections into the future -- photos, books, songs, radio, television and decades of advertising, headlines, contrasted with intimate conflicts and writing notes from six decades of diaries. Local dialect, words of the times, slogans, brands and names for the ever-proliferating objects, are given voice here. The voice we recognize as the author's continually dissolves and re-emerges. Ernaux makes the passage of time palpable. Time itself, inexorable, narrates its own course, consigning all other narrators to anonymity. A new kind of autobiography emerges, at once subjective and impersonal, private and collective. On its 2008 publication in France, The Years came as a surprise. Though Ernaux had for years been hailed as a beloved, bestselling and award-winning author, The Years was in many ways a departure: both an intimate memoir "written" by entire generations, and a story of generations telling a very personal story. Like the generation before hers, the narrator eschews the "I" for the "we" (or "they", or "one") as if collective life were inextricably intertwined with a private life that in her parents' generation ceased to exist. She writes of her parents' generation (and could be writing of her own book): "From a common fund of hunger and fear, everything was told in the "we" and impersonal pronouns.""--
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