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Looking at the violation of bodies in Shakespeare's tragedies, especially as revealed (or concealed) in performance on stage and screen, Pascale Aebischer discusses stage and screen performances of Titus Andronicus, Hamlet, Othello and King Lear. Aebischer demonstrates how bodies virtually absent from playtexts and critical discussion (due to silence, disability, marginalization, racial otherness or death) can be prominent in performance, where their representation reflects the cultural and political climate of the production.
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CAMBRIDGE UNIV PRESS
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SHAKESPEARE'S VIOLATED BODIES: STAGE AND SCREEN PERFORMANCE.
Publish date unknown, CAMBRIDGE UNIV PRESS
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0521829356 9780521829359
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- Created November 16, 2008
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April 16, 2010 | Edited by bgimpertBot | Added goodreads ID. |
December 15, 2009 | Edited by WorkBot | link works |
November 16, 2008 | Created by ImportBot | Imported from University of Toronto MARC record |