An edition of La amigdalitis de Tarzán (1998)

Tarzan's Tonsillitis

A Novel

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Last edited by dcapillae
June 10, 2025 | History
An edition of La amigdalitis de Tarzán (1998)

Tarzan's Tonsillitis

A Novel

  • 5.0 (1 rating)
  • 4 Want to read
  • 1 Have read

"At the center: a couple in love, in exile together and apart. He is Juan Manuel Carpio, a second-generation Peruvian of Native American origins, a middle-class singer-composer. She is Fernanda Maria de la Trinidad del Monte Montes, a polyglot and cultured Salvadoran. Through the mostly epistolary narrative set in 1960s Paris, revolutionary El Salvador, Chile, 1980s California, and London, we follow the thirty-year arc of their relationship.".

"At once cheerful, hopeful, and informed by a serene lack of sentimentality, the narrative - rich with the delights of paradox and hyperbole - sees the couple through disastrous and traumatic marriages to other people; the ups and downs of their respective careers; the inexorable effects of politics on their personal lives; their shifting passions and gradual realization that the truest bond between lovers is a tender, abiding, and respectful friendship."--BOOK JACKET.

Publish Date
Publisher
Pantheon
Language
English
Pages
272

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Previews available in: English Spanish

Edition Availability
Cover of: Tarzan's Tonsillitis
Tarzan's Tonsillitis: A Novel
December 18, 2001, Pantheon
in English
Cover of: La amigdalitis de Tarzán
La amigdalitis de Tarzán
January 1, 1999, Aguilar, Altea, Taurus, Alfaguara, S.A. de C.
Paperback in Spanish

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Book Details


Edition Notes

Translation Of
La amigdalitis de Tarzán
Translated From
Spanish

Classifications

Library of Congress
PQ8498.12.R94 A6513 2001

Edition Identifiers

Open Library
OL7425492M
Internet Archive
tarzanstonsillit00alfr
ISBN 10
0375421432
ISBN 13
9780375421433
LCCN
2001031401
OCLC/WorldCat
46769411
LibraryThing
330818
Goodreads
1822867

Work Identifiers

Work ID
OL673416W

Work Description

"Novela que cuenta la frustrada historia amorosa entre un cantautor peruano y una mujer salvadoreña de clase alta en Europa. El relato presenta un formato epistolar, con una acentuada presencia de la voz femenina"--Handbook of Latin American Studies, v. 58.

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