Music and the Irish literary imagination

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Music and the Irish literary imagination
Harry White
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Last edited by MARC Bot
November 29, 2023 | History

Music and the Irish literary imagination

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"Harry White examines the influence of music in the development of the Irish literary imagination from 1800 to the present day. He identifies music as a preoccupation which originated in the poetry of Thomas Moore early in the nineteenth century. He argues that this preoccupation decisively influenced Moore's attempt to translate the 'meaning' of Irish music into verse, and that it also informed Moore's considerable impact on the development of European musical romanticism, as in the music of Berlioz and Schumann. White then examines how this preoccupation was later recovered by W.B. Yeats, whose poetry is imbued with music as a rival presence to language. In its readings of Yeats, Synge, Shaw, and Joyce, the book argues that this striking musical awareness had a profound influence on the Irish literary imagination, to the extent that poetry, fiction, and drama could function as correlatives of musical genres. Although Yeats insisted on the synonymous condition of speech and song in his poetry, Synge, Shaw, and Joyce explicitly identified opera in particular as a generic prototype for their own work. Synge's formal musical training and early inclinations as a composer, Shaw's perception of himself as the natural successor to Wagner, and Joyce's no less striking absorption of a host of musical techniques in his fiction are advanced in this study as formative (rather than incidental) elements in the development of modern Irish writing."

"Music and the Irish Literary Imagination also considers Beckett's emancipation from the oppressive condition of words in general (and Joyce in particular) through the agency of music, and argues that the strong presence of Mendelssohn, Chopin, and Janacek in the works of Brian Friel is correspondingly essential to Friel's dramatisation of Irish experience in the aftermath of Beckett. The book closes with a reading of Seamus Heaney, in which the poet's own preoccupation with the currency of established literary forms is enlisted to illuminate Heaney's abiding sense of poetry of music."--Jacket.

Publish Date
Language
English
Pages
260

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Edition Availability
Cover of: Music and the Irish Literary Imagination
Music and the Irish Literary Imagination
2008, Oxford University Press
in English
Cover of: Music and the Irish literary imagination
Music and the Irish literary imagination
2008, Oxford University Press
in English

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Book Details


Published in

New York

Table of Contents

Introduction: words for music: in search of the Irish Omphalos
The auditory imagination of Thomas Moore
W. B. Yeats and the music of poetry
Why J. M. Synge abandoned music
Opera and drama: Bernard Shaw and "The brandy of the damned"
The "Thought-tormented Music" of James Joyce
Words after music: Samuel Beckett after Joyce
Operas of the Irish mind: Brian Friel and music
Words alone: Seamus Heaney, music, and the jurisdiction of literary forms.

Edition Notes

Includes bibliographical references and index.

Classifications

Dewey Decimal Class
820.9/35780899162
Library of Congress
PR8722.M85 W45 2008, PR468

The Physical Object

Pagination
p. cm.
Number of pages
260

ID Numbers

Open Library
OL19288251M
ISBN 13
9780199547326
LCCN
2008036149
OCLC/WorldCat
244293245
Library Thing
7567598

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November 29, 2023 Edited by MARC Bot import existing book
August 1, 2020 Edited by ImportBot import existing book
February 13, 2010 Edited by WorkBot add more information to works
December 10, 2009 Created by WorkBot add works page