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Table of Contents
Introduction: Recycling and Innovation in Contemporary Music / Lisa Colton, Martin Iddon
The 'Day of Wrath' as Musico-Political Statement in Dallapiccola's Canti di Prigionia / Peter Roderick
A Return to the Future or Forward to the Past' / Geoffrey Cox
Serial Canon(s): Nono's Variations and Boulez's Structures / Martin Iddon
The Female Exotic: Tradition, Innovation and Authenticity in the Reception of Music by Judith Weir / Lisa Colton
Musical Borrowing as Incarnation: A Theological Reading of Hildegard's O quam preciosa in John Adams's El Niño / Alistair Hardie
Quotation and Framing: Re-contextualization and Intertextuality as Newness in George Crumb's Black Angels / Nils Holger Petersen
'Intervections' / Jesse Stewart
Scratch and Mix: Sampling the Human Voice in the Metaphorical Phonograph / Miriama Young.
Edition Notes
Includes bibliographical references.
Also available in an electronic version via the Internet. Address as at 7/4/11: http://ejournals.ebsco.com/Issue.asp?IssueID=1294149 ; National Library access available onsite only.
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