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Jody Blake demonstrates in this book that although the impact of African-American music and dance in France was constant from 1900 to 1930, it was not unchanging. This was due in part to the stylistic development and diversity of African-American music and dance, from the prewar cakewalk and ragtime to the postwar Charleston and jazz.
Successive groups of modernists, beginning with the Matisse and Picasso circle in the 1900s and concluding with the Surrealists and Purists in the 1920s, constructed different versions of la musique and la danse negre. Manifested in creative and critical works, these responses to African-American music and dance reflected the modernists' varying artistic agendas and historical climates.
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Previews available in: English
Subjects
Arts, French, African influences, French Arts, Arts, france, Arts, modernTimes
20th centuryEdition | Availability |
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1
Le Tumulte Noir: Modernist Art and Popular Entertainment in Jazz-Age Paris, 1900-1930
July 2003, Pennsylvania State University Press
Paperback
in English
0271023392 9780271023397
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WorldCat
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2
Le tumulte noir: modernist art and popular entertainment in Jazz-Age Paris, 1900-1930
1999, Pennsylvania State University Press
in English
0271017538 9780271017532
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Libraries near you:
WorldCat
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Book Details
Edition Notes
Includes bibliographical references (p. [191]-202) and index.
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