Evita, inevitably
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Evita, inevitably
performing Argentina's female icons before and after Eva Perón
by Jean Graham-Jones
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This edition was published in 2014 by The University of Michigan Press in Ann Arbor.
Written in English
— 271 pages
Sheds new light on the history and culture of Argentina by examining the performances and reception of the country's most iconic female figures, in particular, Eva Perón, who rose from poverty to become a powerful international figure. The book links the Evita legend to a broader pattern of female iconicity from the mid-nineteenth century onward ...--Provided by publisher
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Evita, inevitably: performing Argentina's female icons before and after Eva Perón
2014, The University of Michigan Press
in English
0472072331 9780472072330
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Evita, inevitably
First published in 2014
Subjects
Women in popular culture, Mass media, Social aspects, Celebrities, Performing arts, In mass mediaPeople
Eva Perón (1919-1952)Places
ArgentinaWork Description
Sheds new light on the history and culture of Argentina by examining the performances and reception of the country's most iconic female figures, in particular, Eva Perón, who rose from poverty to become a powerful international figure. The book links the Evita legend to a broader pattern of female iconicity from the mid-nineteenth century onward ...--Provided by publisher
Evita, inevitably
performing Argentina's female icons before and after Eva Perón
This edition was published in 2014 by The University of Michigan Press in Ann Arbor.
Edition Description
Sheds new light on the history and culture of Argentina by examining the performances and reception of the country's most iconic female figures, in particular, Eva Perón, who rose from poverty to become a powerful international figure. The book links the Evita legend to a broader pattern of female iconicity from the mid-nineteenth century onward ...--Provided by publisher
Table of Contents
| Acknowledgments | ||
| Introduction: Evita at the intersections of Argentine femiconicity, nation, and performance | ||
| Camila O'Gorman and the making of an Argentine femicon | ||
| The (many, many) lives of Evita Perón | ||
| Performing Evita's afterlives | ||
| Argentine Madonnas, pop stars, and performances of immediacy and virtuality | ||
| Conclusion: Toward a complicated understanding of Eva Perón and Argentine femiconity in performance. |
Edition Notes
Includes bibliographical references (pages 179-247) and index.
Classifications
ID Numbers
| September 21, 2020 | Created by Clean Up Bot | import new book |