{"description": {"type": "/type/text", "value": "Includes discussions of case studies such as Procol Harum's \"A whiter shade of pale\" court ruling and how performers assume authorship; Gender, genre, critical status, degrees of autonomy and the careers of Kate Bush, Madonna, Bjork, and Beyonc\u00e9; Phil Spector, George Martin, Daft Punk and how record producers assume authorial status."}, "covers": [10399964], "key": "/works/OL20011213W", "authors": [{"type": {"key": "/type/author_role"}, "author": {"key": "/authors/OL2463073A"}}], "title": "Authorship roles in popular music", "subjects": ["Authorship", "Philosophy", "Writing and publishing", "Popular music", "History and criticism", "Popular music, writing and publishing", "Popular music, history and criticism", "Musique populaire", "\u00c9criture et \u00e9dition", "Art d'\u00e9crire", "Philosophie", "Histoire et critique", "MUSIC", "Instruction & Study", "Theory"], "type": {"key": "/type/work"}, "latest_revision": 4, "revision": 4, "created": {"type": "/type/datetime", "value": "2019-07-19T05:36:14.404537"}, "last_modified": {"type": "/type/datetime", "value": "2022-12-15T05:22:21.036638"}}