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Last edited by Zora Elbe
July 10, 2025 | History

Critical Theory and Performance presents a broad range of critical and theoretical methods and applies them to contemporary and historical performance genres—from stage plays, dance-dramas, performance art, cabaret, stand-up comedy, and jazz to circus, street theater, and shamanistic ritual. As the first comprehensive introduction to critical theory’s rich and diverse contributions to the study of drama, theater, and performance, the book has been highly influential for more than a decade in providing fertile ground for academic investigations in the lively field of performance studies.

This updated and expanded edition presents nineteen new essays by the field’s leading scholars and practitioners as well as new critical introductions by editors Janelle G. Reinelt and Joseph R. Roach. Reflecting recent trends in performance studies, this revised edition now includes discussions of critical race theory, postcolonial studies, gender and sexualities, and mediatized cultures. The resulting volume is a unique and indispensable tool for critics, teachers, and students that paves the way for future scholarship.

Publish Date
Language
English
Pages
596

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Previews available in: English

Edition Availability
Cover of: Critical Theory and Performance
Critical Theory and Performance
May 8, 2007, University of Michigan Press
Paperback in English - Revised and enlarged edition
Cover of: Critical Theory and Performance: Revised and Enlarged Edition (Theater: Theory/Text/Performance)
Critical Theory and Performance: Revised and Enlarged Edition (Theater: Theory/Text/Performance)
May 8, 2007, University of Michigan Press
Hardcover in English - Rev Enl edition
Cover of: Critical theory and performance
Critical theory and performance
1992, University of Michigan Press
in English

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Book Details


Table of Contents

Preface to the Second Edition
Page xi
Introduction to the First Edition
Page 1
Performance Analysis
Page 7
Marvin Carlson: Semiotics and Its Heritage
Page 13
Bert O. States: The Phenomenological Attitude
Page 26
Jim Carmody: Alceste in Hollywood: A Semiotic Reading of The Misanthrope
Page 37
Josette Féral: Every Transaction Conjures a New Boundary
Page 49
Postcolonial Studies
Page 67
Joanne Tompkins: Performing History's Unsettlement
Page 71
Sandra L. Richards: What Is to Be Remembered?: Tourism to Ghana's Slave Castle-Dungeons
Page 85
Phillip B. Zarrilli: For Whom Is the King a King? Issues of Intercultural Production, Perception, and Reception in a Kathakali King Lear
Page 108
Critical Race Theory
Page 135
Jill Lane: Black/face Publics: The Social Bodies of Fraternidad
Page 141
Daphne Lei: Virtual Chinatown and New Racial Formation: Performance of Cantonese Opera in the Bay Area
Page 156
Harry J. Elam, Jr.: Reality
Page 173
Theater History and Historiography
Page 191
Thomas Postlewait: Theater Events and Their Political Contexts: A Problem in the Writing of Theater History
Page 198
Rosemarie K. Bank: Representing History: Performing the Columbian Exposition
Page 223
Susan Leigh Foster: Kinesthetic Empathies and the Politics of Compassion
Page 245
After Marx
Page 259
David Savran: Shadows of Brecht
Page 268
Bruce McConachie: Historicizing the Relations of Theatrical Production
Page 284
John Rouse: Brecht and the Contradictory Actor
Page 295
Gender and Sexualities
Page 311
Ellen Donkin: Mrs. Siddons Looks Back in Anger: Feminist Historiography for Eighteenth-Century British Theater
Page 317
Jill Dolan: Practicing Cultural Disruptions: Gay and Lesbian Representation and Sexuality
Page 334
Kate Davy: Fe/male Impersonation: The Discourse of Camp
Page 355
David Román: Not-About-AIDS
Page 372
Psychoanalysis
Page 395
Elin Diamond: The Violence of "We": Politicizing Identification
Page 403
Ann Pellegrini: Staging Sexual Injury: How I Learned to Drive
Page 413
Peggy Phelan: Immobile Legs, Stalled Words: Psychoanalysis and Moving Deaths
Page 432
Performance Studies
Page 457
Richard Schechner: Invasions Friendly and Unfriendly: The Dramaturgy of Direct Theater
Page 462
Dwight Conquergood: Performance Theory, Hmong Shamans, and Cultural Politics
Page 482
Una Chaudhuri: Animal Rites: Performing beyond the Human
Page 506
Mediatized Cultures
Page 521
Philip Auslander: Live from Cyberspace, or, I Was Sitting at My Computer This Guy Appeared He Thought I Was a Bot
Page 526
Herbert Blau: Virtually Yours: Presence, Liveness, Lessness
Page 532
Sue-Ellen Case: Dracula's Daughters: In-Corporating Avatars in Cyberspace
Page 547
Contributors
Page 563
Index
Page 569

Edition Notes

Published in
Ann Arbor, MI

Classifications

Library of Congress
PN, PN2039 .C75 2007, PN2039.C75 2006

Contributors

Editor
Janelle G. Reinelt
Editor
Joseph R. Roach

The Physical Object

Format
Paperback
Pagination
xii, 596 p. :
Number of pages
596

Edition Identifiers

Open Library
OL22757315M
Internet Archive
criticaltheorype0000unse_e4c9
ISBN 13
9780472068869
LCCN
2006050195
OCLC/WorldCat
71266593
LibraryThing
7508868
Google
asORYuvznpQC
Storygraph
4ab545f2-3298-4649-84e7-9adebf349131
Goodreads
1636138

Work Identifiers

Work ID
OL18290882W

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July 10, 2025 Edited by Zora Elbe merge authors
July 10, 2025 Edited by Zora Elbe merge authors
July 9, 2025 Edited by Zora Elbe merge authors
July 7, 2025 Edited by Zora Elbe merge authors
February 5, 2019 Created by MARC Bot import existing book