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1
Genre and contemporary Hollywood
2002, British Film Institute, BFI Publishing
in English
0851708862 9780851708867
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2
GENRE AND CONTEMPORARY HOLLYWOOD; ED. BY STEVE NEALE.
Publish date unknown, BRITISH FILM INSTITUTE
in Undetermined
0851708870 9780851708874
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Libraries near you:
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Book Details
Published in
London
Table of Contents
Contents.
1. Introduction.
Steve Neale
Page 1 |
Section One: Genre: Tradition and Innovation.
2. Tall Revenue Features: The Genealogy of the Modern Blockbuster.
Sheldon Hall
Page 11 |
3. Westerns and Gangster Films Since the 1970s.
Steve Neale
Page 27 |
4. The New Hollywood Musical: From Saturday Night Fever to Footloose.
J. P Telotte
Page 48 |
5. Some Smothering Dreams: The Combat Film in Contemporary Hollywood.
Michael Hammond
Page 62 |
6. From Female Friends to Literary Ladies: The Contemporary Woman's Film.
Karen Hollinger
Page 77 |
7. Hollywood Lives: The State of the Biopic at the Turn of the Century.
Carolyn Anderson and John Lupo
Page 91 |
8. From Paranoia to Postmodernism? The Horror Movie in Late Modern Society.
Andrew Tudor
Page 105 |
9. The Impossibility of Romance: Hollywood Comedy, 1978-99.
William Paul
Page 117 |
10. Conforming Passions?: Contemporary Romantic Comedy.
Frank Krutnik
Page 130 |
11. Pleasing the Million: Shakespearean Cinema of the 1990s.
Roberta E. Pearson
Page 148 |
Section Two: Genre: New Cycles and Trends.
12. Hollywood Production Trends in the Era of Globalisation, 1990-99.
Tino Balio
Page 165 |
13. 'The Best Disney Film Disney Never Made': Children's Films and the Family Audience in American Cinema since the 1960s.
Peter Kramer
Page 185 |
14. Movie Ratings as Genre: The Incontestable R.
Kevin S. Sandler
Page |
15. Cinema and the Premises of Youth: 'Teen Films' and Their Sites in the 1980s and 1990s.
James Hay and Stephen Bailey
Page |
16. Ghetto Reelness: Hollywood Film Production, Black Popular Culture and the Ghetto Action Film Cycle.
S. Craig Watkins
Page |
17. 'Film Noir Like You've Never Seen': Jim Thompson Adaptations and Cycles of Neo-noir.
Peter Stanfield
Page |
18. Grisham Adaptations and the Legal Thriller.
Keith Bartlett
Page |
19. Film Parody and the Resuscitation of Genre.
Dan Harries
Page |
20. 'Gone with the Wind Plus Fangs': Genre, Taste and Distinction in the Assembly, Marketing and Reception of Bram Stoker's Dracula.
Thomas Austin
Page |
Index.
Edition Notes
Includes bibliographical references and index.
Classifications
The Physical Object
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