An edition of Concentrationary cinema
(2011)
Concentrationary cinema
aesthetics as political resistance in Alain Resnais's Night and fog (1955)
by Griselda Pollock and Maxim Silverman
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Concentrationary cinema: aesthetics as political resistance in Alain Resnais's Night and fog (1955)
2011, Berghahn Books
in English
0857453513 9780857453518
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Book Details
Published in
New York
Table of Contents
Introduction / Griselda Pollock and Max Silverman
Night and fog: a history of gazes / Sylvie Lindeperg
Memory of the camps / Kay Gladstone
Opening the camps, closing the eyes: image, history, readability / Georges Didi-Huberman
Resnais and the dead / Emma Wilson
Night and fog and the concentrationary gaze / Libby Saxton
Auschwitz as allegory in Night and fog / Deborati Sanyal
Night and fog and posttraumatic cinema / Joshua Hirsch
Fearful imagination: Night and fog and concentrationary memory / Max Silverman
Disruptive histories: toward a radical politics of remembrance in Alain Resnais's Night and fog / Andrew Hebard
Cinema as a slaughterbench of history: Night and fog / John Mowitt
Death in the image: the responsibility of aesthetics in Night and fog (1955) and Kapo (1959) / Griselda Pollock.
Edition Notes
Includes bibliographical references and index.
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| October 22, 2011 | Edited by LC Bot | import new book |
| July 29, 2011 | Created by LC Bot | import new book |