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January 29, 2010 | History

The late paintings of Velázquez 1 edition

The late paintings of Velázquez
Giles Knox

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The late paintings of Velázquez
theorizing painterly performance
Giles Knox.

Published 2008 by Ashgate in Aldershot, Hants, England, Burlington, VT .
Written in English.

Table of Contents

List of illustrations
Acknowledgements
Introduction
Ch. 1. Critical responses to painterly painting. Wölfflin's Malerisch
Italian responses to painterly brushwork
Spanish responses to painterly brushwork
The hand of the artist
Velázquez and Marco Boschini
Ch. 2. An allegory of painterly painting. Portrait? Sibyl?
Cesare Ripa's Pittura
The origin of painting I. : Dibutades
The origin of painting II : Narcissus
The origin of painting III : God
Ch. 3. The Spinners and the triumph of Venice. The background
The foreground I : Process and product
The foreground II : Moving figures
Tintoretto : tirato via di pratica
Ch. 4. The Spinners as critique. Inverting Michelangelo
Baltasar Gracián's Agudeza
Redefining Affetti and the hierarchy of the genres
Ch. 5. Las Meninas : social and structural perspectives. The early descriptions
Structure and story
Setting
The nobility of Velázquez ; The nobility of painting
Ch. 6. Las Meninas : painterly polemics. Critique of theory
Las Meninas and Poussin's self-portraits
The mirror
Jan van Eyck's Arnolfini wedding and Baltasar Gracián's Agudeza
Final touches
Bibliography.

Edition Notes

Includes bibliographical references.

Series
Visual culture in early modernity

Classifications

Dewey Decimal Class
759.6
Library of Congress
ND813.V4 K63 2008

The Physical Object

Pagination
p. cm.

ID Numbers

Open Library
OL22666418M
ISBN 13
9780754666776
LC Control Number
2008047657

History Created December 11, 2009 · 2 revisions Download catalog record: RDF / JSON

January 29, 2010 Edited by WorkBot add more information to works
December 11, 2009 Created by WorkBot add works page