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MARC Record from marc_openlibraries_sanfranciscopubliclibrary

Record ID marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run05.mrc:34050704:3587
Source marc_openlibraries_sanfranciscopubliclibrary
Download Link /show-records/marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run05.mrc:34050704:3587?format=raw

LEADER: 03587cam a2200577 i 4500
001 830837518
003 OCoLC
005 20151005115736.0
008 130301t20142014nyua bq 001 0 eng
010 $a2013008727
020 $a9780195394818 (alk. paper)
020 $a019539481X (alk. paper)
020 $a9780195394894 (paperback : alk. paper)
020 $a0195394895 (paperback : alk. paper)
035 $a830837518
035 $a(OCoLC)830837518
037 $bOxford Univ Pr, 2001 Evans rd, Cary, NC, USA, 27513$nSAN 202-5892
040 $aDLC$erda$beng$cDLC$dYDX$dOCLCO$dBTCTA$dYDXCP$dOCLCF$dBDX$dCDX$dSFR$dUtOrBLW
042 $apcc
049 $aSFRA
050 00 $aMT723$b.V35 2014
082 00 $a786.7/419$223
092 $a789.91$bZV193s
100 1 $aVail, Mark.
245 14 $aThe synthesizer :$ba comprehensive guide to understanding, programming, playing, and recording the ultimate electronic music instrument /$cMark Vail.
264 1 $aNew York :$bOxford University Press,$c[2014]
264 4 $c©2014
300 $axv, 410 pages :$billustrations ;$c28 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 369-373), filmography (page 373), web resources, and index.
500 $a"About the companion website": page xv.
505 0 $aTrendsetting all-stars. Control ; Sound ; Performance ; Interface ; Composition ; Beyond -- Acoustics and synthesis basics. Real-world acoustics ; Types of synthesis ; Audio sources : oscillators, noise, and more ; VCAs, envelopes, and LFOs ; Envelope followers and pitch-to-voltage converters ; Filters ; EQs and filter banks ; Analog sequencers ; Arpeggiators ; Reverb ; Analog delay ; Digital delay ; Loopers ; Other effects -- Choosing your synthesizer(s). Options ; Modular synthesizers in the twenty-first century ; Connectivity ; Controllers ; Noise toys -- Composition, programming, and performance techniques. Composition ; Patching, aka programming ; Performance -- Recording the synthesizer. As it was and how it's become for the Switched-on innovator ; Serial vs. random-access media ; Strategies for recording film and TV scores ; Harnessing the power of modular synths with Ableton Live ; Automated mixing ; Outboard processing : preparing audion for recording ; Recording direct and expanding for surround-sound -- Appendix A. Selected bibliography, films, and museums -- Appendix B. Manufacturers, forums, blogs, dealers, and stores.
650 0 $aSynthesizer (Musical instrument)$xInstruction and study.
650 0 $aElectronic music$xInstruction and study.
907 $a.b27288961$b11-21-18$c03-05-14
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957 00 $aOCLC reclamation of 2017-18
907 $a.b27288961$b09-29-15$c03-05-14
938 $aBaker and Taylor$bBTCP$nBK0013572309
938 $aYBP Library Services$bYANK$n10839280
938 $aBrodart$bBROD$n106847686
938 $aCoutts Information Services$bCOUT$n25138812
956 $aPre-reclamation 001 value: ocn830837518
980 $a0314 bb
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