MARC Record from marc_openlibraries_sanfranciscopubliclibrary

LEADER: 05619cam a2200625 i 4500
001 864789793
003 OCoLC
005 20151005124129.0
008 131122t20142014nyua b 001 0 eng
010 $a2013047108
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019 $a890857409
020 $a9780199357161 (hardcover : alk. paper)
020 $a0199357161 (hardcover : alk. paper)
020 $a9780199357178 (paperback : alk. paper)
020 $a019935717X (paperback : alk. paper)
035 $a864789793
037 $bOxford Univ Pr, 2001 Evans rd, Cary, NC, USA, 27513$nSAN 202-5892
040 $aDLC$beng$erda$cDLC$dBDX$dYDXCP$dBTCTA$dUKMGB$dZGO$dOCLCF$dCOO$dCDX$dZCU$dCHVBK$dIAD$dPUL$dSFR$dUtOrBLW
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050 00 $aML3790$b.B842 2014
082 00 $a781.4909$223
092 $a789.9$bB912h
100 1 $aBurgess, Richard James.
245 14 $aThe history of music production /$cRichard James Burgess.
264 1 $aNew York :$bOxford University Press,$c[2014]
264 4 $c©2014
300 $axiv, 245 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 209-226) and index.
505 0 $aBeginnings. Understanding sound ; Toward recording ; The phonograph ; The first producers -- The acoustic period. Acoustic recording ; International expansion ; The third major label ; The Sooys ; Documentation of cultural expression ; The end of an era -- The electric period. Toward electric recording ; Better sound ; Country music ; Further technological foundations ; The calm before the storm ; The thirties and forties ; Radio, film, and tape innovations -- Economic and societal overlay. Cyclical decline ; One thing after another : the thirties through the war ; Recovery -- The studio is interactive. Toward greater control ; Magnetic tape recording ; Defining some terms ; Mastering ; Editing ; Sound on sound ; Overdubbing ; Summing up of tape's impact ; The microgroove LP --
505 8 $aThe post-World War II reconstruction of the recording industry. After the war ; The boom in independent labels ; The fifties ; Radio DJs -- Mobile music. More music for more people ; Music anywhere : radio on the move ; My music on the move ; My music anywhere -- Expanding the palette. Electric instruments and amplifiers ; Synthesizers ; Genre hybridization -- Some key producers. The objective ; Review of early producers ; Mitch Miller ; Leiber and Stoller ; Phil Spector ; Sam Phillips ; Steve Sholes ; Norrie Paramor ; Joe Meek ; Brian Wilson ; George Martin ; Holland, Dozier and Holland ; Teo Macero ; King Tubby ; Prince ; Rick Rubin ; Quincy Jones ; Robert John "Mutt" Lange ; Dr Dre ; Max Martin --
505 8 $aThe sixties and seventies. Cultural and creative revolution ; The sixties ; Mix automation ; The seventies -- Toward the digital age. Digital recording ; Hip hop ; The state of the eighties ; The sound of the eighties ; The look of the eighties ; Shiny silver discs ; Singles ; Mixing ; Dance music ; Remixes ; Further eighties developments ; Mergers and acquisitions ; The Internet and the World Wide Web -- The nineties. The corporate state ; The charts and SoundScan ; Alternative rock ; Toward music online ; Progress with digitized data ; Digital radio ; Millennials ; Preparing the way for Napster --
505 8 $aPeriods of standards and stability. Proprietary versus open systems ; Standards -- Deconstructing the studio. Democratizing technologies ; Improvised environments ; When is a home not a home? ; Freedom -- Random access recording technology. Why random access? ; The beginnings of random access for producers ; Drum machines, next generation sequencers, and MIDI ; The beginnings of random access digital recording ; Convergence and integration --
505 8 $aTransformative/disruptive technologies and the value of music. Definitions of terms ; The industry at the turn of the 21st century ; Missed opportunity ; Oh wait ; No big surprises ; What a great idea ; What happened to vertical integration? ; An idea whose time had come ; Denial and inaction ; The consequences ; The digital disruption and producer income ; Performance royalties ; Direct versus statutory licenses -- Post-millennial business models. American Idol ; Downloads ; Streaming audio ; Non-interactive streams ; Streaming on demand ; Web 2.0, social networking and social media commonalities -- The unfinished work. Sampling, mash-ups and remixes ; Using records as raw material ; Disco ; Hip hop ; Adapting compositions ; Adapting recordings ; The question of creativity ; The question of legality.
650 0 $aSound recording industry$xHistory.
650 0 $aSound recordings$xProduction and direction$xHistory.
650 0 $aSound$xRecording and reproducing$xHistory.
650 0 $aSound recordings$xHistory.
650 0 $aMusic and technology$xHistory.
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957 00 $aOCLC reclamation of 2017-18
907 $a.b29408155$b08-06-15$c12-03-14
938 $aBaker and Taylor$bBTCP$nBK0014425248
956 $aPre-reclamation 001 value: ocn864789793
980 $a0215 KL bb
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