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MARC Record from marc_openlibraries_sanfranciscopubliclibrary

Record ID marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run04.mrc:62257291:3369
Source marc_openlibraries_sanfranciscopubliclibrary
Download Link /show-records/marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run04.mrc:62257291:3369?format=raw

LEADER: 03369cam a22006494a 4500
001 454364254
003 OCoLC
005 20151005075548.0
008 091005s2010 ncu b 001 0 eng c
010 $a2009039108
015 $aGBB009380$2bnb
016 7 $a015473700$2Uk
020 $a9780822346890 (cloth : alk. paper)
020 $a0822346893 (cloth : alk. paper)
020 $a9780822347002 (pbk. : alk. paper)
020 $a0822347008 (pbk. : alk. paper)
035 $a454364254
035 $a(OCoLC)454364254
037 $bDuke Univ Pr, Attn: Michael Box 90660, Durham, NC, USA, 27708, (919)6885134$nSAN 201-3436
040 $aNcD/DLC$cDLC$dYDX$dUKM$dYDXCP$dCDX$dCOO$dZCU$dBWX$dSFR$dUtOrBLW
042 $apcc
043 $an-usu--
049 $aSFRA
050 00 $aML3551$b.M56 2010
082 00 $a781.64089/00973$222
092 $a784.5$bZM6157s
100 1 $aMiller, Karl Hagstrom,$d1968-
245 10 $aSegregating sound :$binventing folk and pop music in the age of Jim Crow /$cKarl Hagstrom Miller.
260 $aDurham :$bDuke University Press,$cc2010.
300 $aix, 372 p. ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aRefiguring American music
504 $aIncludes bibliographical references (p. [327]-350) and index.
505 0 $aTin Pan Alley on tour : the Southern embrace of commercial music -- Making money making music : the education of Southern musicians in local markets -- Isolating folk, isolating songs : reimagining Southern music as folklore -- Southern musicians and the lure of New York City : representing the South from coon songs to the blues -- Talking machine world : discovering local music in the global phonograph industry -- Race records and old-time music : the creation of two marketing categories in the 1920s -- Black folk and hillbilly pop : industry enforcement of the musical color line -- Reimagining pop tunes as folk songs : the ascension of the folkloric paradigm -- Afterword. "All songs is folk songs."
650 0 $aMusic and race$zSouthern States$xHistory$y19th century.
650 0 $aMusic and race$zSouthern States$xHistory$y20th century.
650 0 $aFolk music$xSocial aspects$zSouthern States$xHistory$y19th century.
650 0 $aFolk music$xSocial aspects$zSouthern States$xHistory$y20th century.
650 0 $aPopular music$xSocial aspects$zSouthern States$xHistory$y19th century.
650 0 $aPopular music$xSocial aspects$zSouthern States$xHistory$y20th century.
650 0 $aAfrican Americans$xSegregation.
830 0 $aRefiguring American music.
907 $a.b23177603$b11-21-18$c03-18-10
998 $axam$b06-08-10$cm$da $e-$feng$gncu$h0$i0
957 00 $aOCLC reclamation of 2017-18
907 $a.b23177603$b11-21-12$c03-18-10
938 $aYBP Library Services$bYANK$n3138703
938 $aCoutts Information Services$bCOUT$n11037854
938 $aBlackwell Book Service$bBBUS$nR9840165$c$84.95
956 $aPre-reclamation 001 value: ocn454364254
980 $a0610 sh bb
998 $axam$b06-08-10$cm$da$e-$feng$gncu$h0$i0
994 $aC0$bSFR
999 $yMARS
945 $a784.5$bZM6157s$d - - $e04-12-2018 12:27$f0$g0$h04-12-18$i31223091268160$j301$0301$k - - $lxamci$o-$p$23.95$q $r $s- $t0$u14$v17$w0$x1$y.i6077518x$z06-23-10