| Record ID | marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run02.mrc:229492382:1862 |
| Source | marc_openlibraries_sanfranciscopubliclibrary |
| Download Link | /show-records/marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run02.mrc:229492382:1862?format=raw |
LEADER: 01862cam a2200433 a 4500
001 41606292
003 OCoLC
005 20151005032943.0
008 990618s2000 nyua bk 001 0 eng
010 $a99036013
020 $a0521632684 (hbk.)
020 $a0521634474 (pbk.)
035 $a41606292
035 00 $iLCMARC/AXU-6481/ROBERTAW
040 $aDLC$cDLC$dOCoLC$dUtOrBLW
042 $apcc
050 00 $aML3531$b.K75 2000
082 00 $a782.421649$221
092 $a784.5$bZK897r
100 1 $aKrims, Adam.
245 10 $aRap music and the poetics of identity /$cAdam Krims.
260 $aCambridge ;$aNew York :$bCambridge University Press,$cc2000.
300 $axii, 217 p. :$bill. ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aNew perspectives in music history and criticism
504 $aIncludes bibliographical references (p. 205-209), discography (p. 210-211), and index.
505 0 $aIntroduction. Music theory, musical poetics, rap music -- Music analysis and rap music -- A genre system for rap music -- The musical poetics of a "revolutionary" identity -- Rap geography and soul food -- Two cases of localized (and globalized) musical poetics.
650 0 $aRap (Music)$xHistory and criticism.
830 0 $aNew perspectives in music history and criticism.
907 $a.b17432467$b11-21-18$c07-21-03
998 $axam$b07-01-03$cm$da $e-$feng$gnyu$h0$i3
957 00 $aOCLC reclamation of 2017-18
907 $a.b17432467$b12-02-14$c07-21-03
956 $aNo pre-reclamation 001 field existed
998 $axam$b07-01-03$cm$da$e-$feng$gnyu$h0$i3
999 $yMARS
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