MARC Record from Marygrove College

LEADER: 06369cam a22010694a 4500
001 ocn454364254
003 OCoLC
005 20191109072154.8
008 091005s2010 ncu b 001 0 eng c
010 $a 2009039108
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029 1 $aUNITY$b121291871
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035 $a(OCoLC)454364254$z(OCoLC)728087515
037 $bDuke Univ Pr, Attn: Michael Box 90660, Durham, NC, USA, 27708, (919)6885134$nSAN 201-3436
042 $apcc
043 $an-usu--
050 00 $aML3551$b.M56 2010
082 00 $a781.64089/00973$222
084 $a24.65$2bcl
049 $aMAIN
100 1 $aMiller, Karl Hagstrom,$d1968-
245 10 $aSegregating sound :$binventing folk and pop music in the age of Jim Crow /$cKarl Hagstrom Miller.
260 $aDurham [NC] :$bDuke University Press,$c2010.
300 $aix, 372 pages ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aRefiguring American music
504 $aIncludes bibliographical references (pages 327-350) and index.
505 0 $aTin Pan Alley on tour : the Southern embrace of commercial music -- Making money making music : the education of Southern musicians in local markets -- Isolating folk, isolating songs : reimagining Southern music as folklore -- Southern musicians and the lure of New York City : representing the South from coon songs to the blues -- Talking machine world : discovering local music in the global phonograph industry -- Race records and old-time music : the creation of two marketing categories in the 1920s -- Black folk and hillbilly pop : industry enforcement of the musical color line -- Reimagining pop tunes as folk songs : the ascension of the folkloric paradigm -- Afterword : "All songs is folk songs."
520 $aKarl Hagstrom Miller argues that the categories that we have inherited to think and talk about southern music bear little relation to the ways that southerners long played and heard music. Focusing on the late nineteenth century and the early twentieth, Miller chronicles how southern music--a fluid complex of sounds and styles in practice--was reduced to a series of distinct genres linked to particular racial and ethnic identities. The blues were African American. Rural white southerners played country music. By the 1920s, these depictions were touted in folk song collections and the catalogs of "race" and "hillbilly" records produced by the phonograph industry. Such links among race, region, and music were new. Black and white artists alike had played not only blues, ballads, ragtime, and string band music, but also nationally popular sentimental ballads, minstrel songs, Tin Pan Alley tunes, and Broadway hits. In a cultural history filled with musicians, listeners, scholars, and business people, Miller describes how folklore studies and the music industry helped to create a "musical color line," a cultural parallel to the physical color line that came to define the Jim Crow South. Segregated sound emerged slowly through the interactions of southern and northern musicians, record companies that sought to penetrate new markets across the South and the globe, and academic folklorists who attempted to tap southern music for evidence about the history of human civilization. Contending that people's musical worlds were defined less by who they were than by the music that they heard, Miller challenges assumptions about the relation of race, music, and the market.
590 $bInternet Archive - 2
590 $bInternet Archive 2
630 07 $aJump Jim Crow.$2swd
650 0 $aMusic and race$zSouthern States$xHistory$y19th century.
650 0 $aMusic and race$zSouthern States$xHistory$y20th century.
650 0 $aFolk music$zSouthern States$xHistory$y19th century.
650 0 $aFolk music$zSouthern States$xHistory$y20th century.
650 0 $aPopular music$zSouthern States$y19th century.
650 0 $aPopular music$zSouthern States$y20th century.
650 0 $aAfrican Americans$xSegregation.
650 7 $aAfrican Americans$xSegregation.$2fast$0(OCoLC)fst00799695
650 7 $aFolk music.$2fast$0(OCoLC)fst00929383
650 7 $aMusic and race.$2fast$0(OCoLC)fst01030486
650 7 $aPopular music.$2fast$0(OCoLC)fst01071422
651 7 $aSouthern States.$2fast$0(OCoLC)fst01244550
650 17 $aFolkmuziek.$2gtt
650 17 $aSegregatie.$2gtt
650 17 $aZwarten.$2gtt
650 17 $aPopulaire muziek.$2gtt
651 7 $aZuidelijke staten.$2gtt
650 7 $aRassentrennung.$0(DE-588)4115696-1$2gnd
650 7 $aMusik.$0(DE-588)4040802-4$2gnd
650 7 $aSchwarze.$0(DE-588)4116433-7$2gnd
650 7 $aFolk music.$0(DE-588)4137558-0$2gnd
650 7 $aUnterhaltungsmusik.$0(DE-588)4061916-3$2gnd
650 7 $aPopmusik.$0(DE-588)4046781-8$2gnd
651 7 $aUSA$xSüdstaaten.$0(DE-588)4078674-2$2gnd
650 07 $aMusik.$2swd
651 7 $aSchwarze.$2swd
651 7 $aUSA$xSüdstaaten.$2swd
648 7 $a1800-1999$2fast
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
830 0 $aRefiguring American music.
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938 $aYBP Library Services$bYANK$n3138703
938 $aBlackwell Book Service$bBBUS$nR9840165$c$84.95
938 $aMidwest Library Services$bMWST$n02354902010
994 $a92$bERR
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