| Record ID | marc_loc_updates/v37.i25.records.utf8:34740231:1444 |
| Source | Library of Congress |
| Download Link | /show-records/marc_loc_updates/v37.i25.records.utf8:34740231:1444?format=raw |
LEADER: 01444nam a22002538a 4500
001 2009024364
003 DLC
005 20090618143138.0
008 090616s2010 txu b 001 0 eng
010 $a 2009024364
020 $a9780292706057 (cloth : alk. paper)
020 $a9780292722439 (pbk. : alk. paper)
040 $aDLC$cDLC
043 $an-us-ny
050 00 $aPN1993.5.U78$bM33 2009
082 00 $a791.4309764/31$222
100 1 $aMacor, Alison,$d1966-
245 10 $aChainsaws, slackers, and spy kids :$bthirty years of filmmaking in Austin, Texas /$cAlison Macor.
260 $aAustin :$bUniversity of Texas Press,$c2010.
263 $a1004
300 $ap. cm.
504 $aIncludes bibliographical references and index.
505 0 $aHippies and the cowboys all looked alike -- Living nightmare: Tobe Hooper and the Texas chainsaw massacre -- Eagle Pennell and the rise of regional filmmaking -- Made in Austin: the Austin chronicle and red headed stranger -- Slacker: the least auteur film ever made -- Mariachi kid: Robert Rodriguez and el mariachi -- Reluctant quarterback: Richard Linklater and dazed and confused -- Winning the battle, losing the war: the Newton boys -- Company man: Tim Mccanlies and dancer, Texas pop -- Office space: the making of a cult classic -- Rebel with or without a crew: Robert Rodriguez and spy kids -- Outside the system, inside the system.
650 0 $aMotion picture industry$zTexas$zAustin$xHistory.