MARC Record from Library of Congress

LEADER: 02247cam a2200385 i 4500
001 2012042287
003 DLC
005 20141120075757.0
008 121126t20132013gaua bq s001 0 eng
010 $a 2012042287
020 $a9780820345147 (hardcover : alk. paper)
020 $a0820345148 (hardcover : alk. paper)
020 $a9780820345154 (pbk. : alk. paper)
020 $a0820345156 (pbk. : alk. paper)
040 $aDLC$beng$cDLC$erda$dDLC
042 $apcc
043 $an-us---$an-cn---
050 00 $aPN1995.9.I48$bS35 2013
082 00 $a791.43/652997$223
100 1 $aSchweninger, Lee.
245 10 $aImagic moments :$bindigenous North American film /$cLee Schweninger.
264 1 $aAthens :$bThe University of Georgia Press,$c[2013].
264 4 $c©2013
300 $axv, 247 pages :$billustrations ;$c24 cm
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
504 $aIncludes bibliographical references (pages 229-238) and index.
504 $aIncludes filmography.
505 0 $aIntroduction: where to concentrate -- He was still the chief: Masayesva's imagining Indians -- Into the city: ordered freedom in The exiles -- The native presence in film: House made of dawn -- A concordance of narrative voices: Harold, trickster, and Harold of Orange -- I don't do portraits: Medicine River and the art of photography -- Keep your pony out of my garden: Powwow highway and "being Cheyenne" -- Feeling extra magical: the art of disappearing in Smoke signals -- Making his own music: death and life in The business of fancydancing -- Sharing the kitchen: Naturally native and women in American Indian film -- In the form of a spider: the interplay of narrative fiction and documentary in Skins -- The stories pour out: taking control in The doe boy -- Telling our own stories: seeking identity in Tkaronto -- People come around in circles: Harjo's Four sheets to the wind -- Epilogue: Barking water and beyond.
650 0 $aIndians in motion pictures.
650 0 $aMotion pictures$zUnited States.
650 0 $aMotion pictures$zCanada.
650 0 $aIndians in the motion picture industry$zUnited States.
650 0 $aIndians in the motion picture industry$zCanada.