MARC Record from Library of Congress

LEADER: 01708cam a2200301 a 4500
001 2009033201
003 DLC
005 20100827083557.0
008 090817s2010 miu b s001 0 eng
010 $a 2009033201
015 $aGBB076860$2bnb
016 7 $a015585010$2Uk
020 $a9780472117185 (cloth : alk. paper)
020 $a0472117181 (cloth : alk. paper)
035 $a(OCoLC)ocn432442376
040 $aDLC$cDLC$dYDX$dCDX$dBWX$dYDXCP$dHEBIS$dEEK$dUKM$dDLC
050 00 $aPN2193.E86$bH37 2010
082 00 $a792.02/2$222
100 1 $aHarding, James Martin,$d1958-
245 10 $aCutting performances :$bcollage events, feminist artists, and the American avant-garde /$cJames M. Harding.
260 $aAnn Arbor :$bUniversity of Michigan Press,$cc2010.
300 $aix, 222 p. ;$c24 cm.
490 1 $aTheater : theory/text/performance
504 $aIncludes bibliographical references and index.
505 0 $aToward a feminist historiography of American avant-garde performance: theories and contexts -- Nude descending Bleecker Street: Baroness Elsa Von Freytag-Loringhoven and performing gender in New York dada -- Avant-garde performance, collage aesthetics, and feminist historiographies in Gertrude Stein's the mother of us all -- Between material and matrix: Yoko Ono's cut piece and the unmaking of collage -- Between dialectics, decorum, and collage: sabotaging Schneemann at the Dialectics of Liberation Congress, London 1967 -- Forget fame: Valerie Solanas, the simplest surrealist act, and the (re)assertion of avant-garde priorities -- Conclusion: Collage and community.
650 0 $aExperimental theater.
650 0 $aFeminist theater.
830 0 $aTheater--theory/text/performance.