MARC Record from marc_columbia

LEADER: 03211cam a2200493Ii 4500
001 15443212
005 20210419150015.0
008 200829s2020 gw a b 000 0 ger d
035 $a(OCoLC)on1191808672
040 $aOHX$beng$erda$cOHX$dJPG$dOCLCO$dOCLCF$dERASA
020 $a9783867570879$q(paperback)
020 $a3867570876
024 3 $a9783867570879
035 $a(OCoLC)1191808672
041 1 $ager$aeng$hger
043 $ae-it---
050 4 $aND623.U4$bP45 2020
072 7 $aND$2lcco
082 04 $a709.945
100 1 $aPelling, Claus,$eauthor.
245 14 $aDie Città ideale der Berliner Gemäldegalerie :$bein Gemälde von Paolo Uccello? /$cClaus Pelling.
264 1 $aRahden :$bVML, Verlag Marie Leidorf,$c2020.
300 $a53 pages :$b10 color illustrations ;$c20 x 21 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $a"With an English translation."
504 $aIncludes bibliographical references.
546 $aIn German and English.
520 8 $aThe Gemäldegalerie Alte Meister in Berlin keeps an Italian tempera painting on poplar, some 1.2 m by 2.3 m wide, with the title of an ?Architectural Veduta? which is attributed to the architect and painter Francesco di Giorgio Martini [1439-1502] from Siena. As a view of a deserted town the picture belongs to the type of città ideale and probably derives from a wall panelling or piece of furniture. The present author presents a new attribution on the basis of peculiarities of composition and characteristic details such as the diamond-decorated flat ceiling of the loggia seen from below, clouds with cumulus-shaped rising parts, ships in the shape of two cocce and a galley, a cypress in asymmetric location, and the emphasis on the contrast of near and far. According to this, the real creator of the picture is, probably around A.D. 1455, the Florentine Paolo Uccello [1397-1475] who meticulously studied the representation of geometrical bodies in space and of architecture and is explicitly mentioned as a painter of furniture inlays. This interpretation is supported by the structural affinity with Uccello?s ?The Hunt in the Forest? which is illustrated by a superimposed image of the two pictures.
600 10 $aUccello, Paolo,$d1397-1475$xCriticism and interpretation.
600 10 $aMartini, Francesco di Giorgio,$d1439-1502.$tCittà ideale.
610 20 $aGemäldegalerie (Staatliche Museen zu Berlin)
650 0 $aPainting, Italian$xAttribution.
650 0 $aPainting, Renaissance$zItaly.
600 17 $aUccello, Paolo,$d1397-1475.$2fast$0(OCoLC)fst00197517
610 27 $aGemäldegalerie (Staatliche Museen zu Berlin)$2fast$0(OCoLC)fst00585844
650 7 $aPainting, Italian$xAttribution.$2fast$0(OCoLC)fst01050911
650 7 $aPainting, Renaissance.$2fast$0(OCoLC)fst01051051
651 7 $aItaly.$2fast$0(OCoLC)fst01204565
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
700 12 $aPelling, Claus.$tCittà ideale der Berliner Gemäldegalerie.
700 12 $aPelling, Claus.$tCittà ideale der Berliner Gemäldegalerie.$lEnglish.
852 00 $boff,fax$hND623.U4$iP45 2020g