MARC Record from marc_columbia

LEADER: 04031cam a2200505 i 4500
001 15293693
005 20210217104312.0
008 210108s2020 uy a bc 000 0 spa d
035 $a(OCoLC)on1229899030
040 $aH7K$beng$erda$cH7K$dOCLCO$dOCLCF$dNNC
035 $a(OCoLC)1229899030
035 $a0000009175
041 1 $aspa$aeng$hspa
050 4 $aND429.V53$bA4 2020
049 $aZCUA
100 1 $aViera, Petrona,$d1895-1960,$eartist.
245 10 $aPetrona Viera :$bel hacer insondable /$c[textos : Beatriz Argimón, Pablo da Silveira, Enrique Aguerre, María Eugenia Grau, Verónica Panella].
250 $aPrimera edición.
264 1 $aMontevideo, Uruguay :$bMuseo Nacional de Artes Visuales, Ministerio de Educación y Cultura.,$c[2020]
300 $a256 pages :$billustrations ;$c28cm
336 $astill image$bsti$2rdacontent
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aCatalog of an exhibition held at the Museo Nacional de Artes Visuales (MNAV), Montevideo, from February 20 to November 29, 2020.
504 $aIncludes bibliographical references.
505 8 $aPetrona Viera / Beatriz Argimón -- Petrona revisitada / Dr. Pablo da Silveira -- Petrona Viera: El hacer insondable / María Eugenia Grau, Verónica Panella -- Serie de retratos familiares. Pastel sobre papel, medidas variables. Sin fecha (probablemente ejecutados en el período deaprendizaje con Vicente Puig) -- Xilografías ejecutadas entre 1940-1955 -- Reseña de exposiciones -- TRANSLATIONS -- Petrona Viera / Beatriz Argimón -- Petrona revisited/ Dr. Pablo da Silveira / Petrona Viera: The unfathomable labor / Dr. Pablo da Silveira -- María Eugenia Grau Verónica Panella.
520 $aConsidered one of the most extensive core of work preserved in the collection of MNAV (1001 works), for almost 50 years since the family donation to the Museum, Petrona Vieraœs (Uruguay 1895-1960) work was always exhibited in collectives with other Uruguayan artists. In recent years the interest in her work has been increasing as attested by the exhibition of her woodcuts. However, this is the first monographic exhibition dedicated to the noted artist, considered the first female professional artist in Uruguay. Known but ignored in art circles, Petrona's work would seem destined to be defined according to others (as the daughter of President Feliciano Viera or the disciple of modernist artists Guillermo Laborde and Guillermo C. Rodriguez) and to a role to some extent anecdotal in a constellation of planists. The "children's painter", almost a child herself in the hyperintegrated gaze of her contemporaries, the "friendly little woman" summarily reviewed in the pages of Mundo Uruguayo, deserves a review of those absolute reductionists to which she is associated, in a sample that proposes an approach to the varied creative corpus.
546 $aIn Spanish with English translations.
600 10 $aViera, Petrona,$d1895-1960$vCatalogs.
600 10 $aViera, Petrona,$d1895-1960$vExhibitions.
650 0 $aPainting, Uruguayan$vExhibitions.
650 0 $aArt, Uruguayan$vExhibitions.
600 17 $aViera, Petrona,$d1895-1960.$2fast$0(OCoLC)fst00248752
650 7 $aArt, Uruguayan.$2fast$0(OCoLC)fst00816991
650 7 $aPainting, Uruguayan.$2fast$0(OCoLC)fst01051143
655 7 $aCatalogs.$2fast$0(OCoLC)fst01423692
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
700 1 $aPanella, Verónica,$d1974-,$ewriter of supplementary textual.
700 1 $aGrau, María Eugenia,$d1958-,$ewriter of supplementary textual.
700 1 $aAguerre, Enrique,$ewriter of supplementary textual content.
700 1 $aSilveira, Pablo da,$ewriter of supplementary textual content.
700 1 $aArgimón, Beatriz,$ewriter of supplementary textual content.
710 2 $aMuseo Nacional de Artes Visuales de Montevideo (Uruguay),$ehost institution,$eissuing body.
852 00 $bfaxlcn$hND429.V53$iA4 2020g