| Record ID | marc_columbia/Columbia-extract-20221130-031.mrc:147510111:4154 |
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LEADER: 04154cam a2200661 a 4500
001 15099272
005 20221112231931.0
006 m o d
007 cr cnu---unuuu
008 021219s2003 enk ob 001 0 eng d
035 $a(OCoLC)ocn879429262
035 $a(NNC)15099272
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019 $a879074582$a1058848772
020 $a9781134695102$q(electronic bk.)
020 $a1134695101$q(electronic bk.)
020 $a130671754X$q(electronic bk.)
020 $a9781306717540$q(electronic bk.)
020 $a9780203754788
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035 $a(OCoLC)879429262$z(OCoLC)879074582$z(OCoLC)1058848772
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050 4 $aPR509.M6$bB97 2003eb
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084 $a17.86$2bcl
084 $aEC 4360$2rvk
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049 $aZCUA
100 1 $aByron, Glennis,$d1955-
245 10 $aDramatic monologue /$cGlennis Byron.
260 $aLondon ;$aNew York :$bRoutledge,$c2003.
300 $a1 online resource (vi, 167 pages)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aThe new critical idiom
504 $aIncludes bibliographical references (pages 150-154) and index.
588 0 $aPrint version record.
505 0 $aCover; Title; Copyright; Contents; SERIES EDITOR'S PREFACE; ACKNOWLEDGEMENTS; 1 Introduction; 2 Definitions; Setting the terms of the debate; Poet and speaker; Reader and auditor; Character and subject; Changes in the canon; 3 Origins; The influence of genre theory; Reacting to the Romantics; Contemporary theories of poetry; Self in the broader context; An alternative theory; 4 Men and women; Women's voices; The critique of gender ideology; Men's voices; The gendered dynamics of self and other; Cross-gendered monologues; The monologue in dialogue; 5 Victorian developments.
505 8 $aThe question of styleThe historical consciousness; Questions of epistemology; Social critique; 6 Modernism and its aftermath; The decline of the genre?; An alternative view; Sixties revival; 7 Contemporary dramatic monologues; The dramatic monologue and society; Revisionist dramatic monologues; Dramatic monologues and the media; GLOSSARY; BIBLIOGRAPHY; INDEX.
520 $aThe dramatic monologue is traditionally associated with Victorian poets such as Robert Browning and Alfred Tennyson, and is generally considered to have disappeared with the onset of modernism in the twentieth century. Glennis Byron unravels its history and argues that, contrary to belief, the monologue remains popular to this day. This far-reaching and neatly structured volume:* explores the origins of the monologue and presents a history of definitions of the term* considers the monologue as a form of social critique* explores issues at play in our understanding of the genr.
650 0 $aEnglish poetry$xHistory and criticism.
650 0 $aDramatic monologues$xHistory and criticism.
650 0 $aAmerican poetry$xHistory and criticism.
650 6 $aPoésie anglaise$xHistoire et critique.
650 6 $aMonologues dramatiques (Poésie)$xHistoire et critique.
650 6 $aPoésie américaine$xHistoire et critique.
650 7 $aPOETRY$xEnglish, Irish, Scottish, Welsh.$2bisacsh
650 7 $aAmerican poetry.$2fast$0(OCoLC)fst00807348
650 7 $aDramatic monologues.$2fast$0(OCoLC)fst00897543
650 7 $aEnglish poetry.$2fast$0(OCoLC)fst00912278
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
776 08 $iPrint version:$aByron, Glennis, 1955-$tDramatic monologue.$dLondon ; New York : Routledge, 2003$z130671754X
830 0 $aNew critical idiom.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15099272$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS