MARC Record from marc_columbia

LEADER: 01668pam a2200361 a 4500
001 10215661
005 20130520174933.0
008 121213s2013 ncu b 001 0 eng
010 $a 2012049983
020 $a9780786468638 (softcover : alk. paper)
020 $a0786468637 (softcover : alk. paper)
024 $a99953125837
035 $a(OCoLC)ocn810120196
035 $a(OCoLC)810120196
035 $a(NNC)10215661
040 $aDLC$beng$erda$cDLC$dBTCTA$dYDXCP$dOCLCO$dNhCcYBP
042 $apcc
043 $an-us---$ae-gx---
050 00 $aML3477$b.F36 2013
082 00 $a781.640943/0973$223
100 1 $aFarina, William,$d1955-
245 14 $aThe German cabaret legacy in American popular music /$cWilliam Farina.
264 1 $aJefferson, North Carolina :$bMcFarland & Company, Inc., Publishers,$c[2013]
300 $aviii, 236 pages ;$c23 cm
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
504 $aIncludes bibliographical references and index.
520 $a"The stylistic remnants of cabaret music from Weimar-era Germany are all around us. During the 20th century, its most prominent American exponents were Germans. Their words and music continue to be heard and exert widespread influence. Major songwriters and African-American artists have been prolific and sympathetic interpreters of it. Today, German cabaret tradition remains strong"--Provided by publisher.
650 0 $aPopular music$zUnited States$xHistory and criticism.
650 0 $aMusic$zGermany$y20th century$xHistory and criticism.
650 0 $aMusic$zUnited States$xGerman influences.
852 00 $bmus$hML3477$i.F36 2013