MARC Record from marc_columbia

LEADER: 02128cam a2200361 a 4500
001 7734957
005 20221201024554.0
008 090817t20102010miu b s001 0 eng
010 $a 2009033201
020 $a9780472117185 (cloth : alk. paper)
020 $a0472117181 (cloth : alk. paper)
024 $a40017767158
035 $a(OCoLC)ocn432442376
035 $a(OCoLC)432442376
035 $a(NNC)7734957
035 $a7734957
040 $aDLC$cDLC$dYDX$dOrLoB-B
050 00 $aPN2193.E86$bH37 2010
082 00 $a792.02/2$222
100 1 $aHarding, James Martin,$d1958-$0http://id.loc.gov/authorities/names/n96033849
245 10 $aCutting performances :$bcollage events, feminist artists, and the American avant-garde /$cJames M. Harding.
260 $aAnn Arbor :$bUniversity of Michigan Press,$c[2010], ©2010.
300 $aix, 222 pages ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aTheater : theory/text/performance
504 $aIncludes bibliographical references and index.
505 00 $gCh. 1.$tToward a Feminist Historiography of American Avant-Garde Performance: Theories and Contexts -- $gCh. 2.$tNude Descending Bleecker Street: Baroness Elsa von Freytag-Loringhoven and Performing Gender in New York Dada -- $gCh. 3.$tAvant-Garde Performance, Collage Aesthetics, and Feminist Historiographies in Gertrude Stein's The Mother of Us All -- $gCh. 4.$tBetween Material and Matrix: Yoko One's Cut Piece and the Unmaking of Collage -- $gCh. 5.$tBetween Dialectics, Decorum, and Collage: Sabotaging Schneemann at the Dialectics of Liberation Congress, London 1967 -- $gCh. 6.$tForget Fame: Valerie Solanas, the Simplest Surrealist Act, and the (Re)Assertion of Avant-Garde Priorities -- $tCollage and Community.
650 0 $aExperimental theater.$0http://id.loc.gov/authorities/subjects/sh85046445
650 0 $aFeminist theater.$0http://id.loc.gov/authorities/subjects/sh85047759
830 0 $aTheater--theory/text/performance.$0http://id.loc.gov/authorities/names/n90667163
852 00 $bglx$hPN2193.E86$iH37 2010
852 00 $bbar$hPN2193.E86$iH37 2010