| Record ID | marc_columbia/Columbia-extract-20221130-014.mrc:149285161:3259 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-014.mrc:149285161:3259?format=raw |
LEADER: 03259cam a2200385 a 4500
001 6947890
005 20221130194254.0
008 080128s2008 nyu b 001 0 eng
010 $a 2008003296
020 $a9780765620613 (cloth : alk. paper)
020 $a0765620618 (cloth : alk. paper)
024 $a40016084340
035 $a(OCoLC)191697383
035 $a(OCoLC)ocn191697383
035 $a(NNC)6947890
035 $a6947890
040 $aDLC$cDLC$dBTCTA$dBAKER$dYDXCP$dUKM$dOrLoB-B
043 $ae-ru---
050 00 $aPN2724$b.R97 2008
082 00 $a792.0947/09045$222
100 1 $aRzhevsky, Nicholas,$d1943-$0http://id.loc.gov/authorities/names/n82030417
245 14 $aThe modern Russian theater :$ba literary and cultural history /$cby Nicholas Rzhevsky.
260 $aArmonk :$bM.E. Sharpe, Inc.,$c2008.
263 $a0808
300 $axxiv, 319 pages :$billustrations ;$c26 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references and index.
505 00 $tPredispositions: The Theater of Literature -- $gI.$tBeginnings and Ends: 1900-1917 -- $g1.$tHistory -- $g2.$tLiterature, Philosophy, and Literary Criticism -- $g3.$tReligion -- $g4.$tTheater Criticism and the Conditions of Theater -- $g5.$tA Little Tomfoolery -- $g6.$tThe Self, the Saint, and the Moral Charm of Crickets: The Petty Demon; Alexis, Man of God; Cricket on the Hearth -- $g7.$tThe Moscow Art Theater -- $g8.$tPostscripts of the Self -- $gII.$tRevolution and the Twenties -- $g9.$tPolitical Bouffe -- $g10.$tCommedia della Death -- $gIII.$tAdapting to Socialist Realism -- $g11.$tThe Peasant Hypocrite: Okhlopkov -- $g12.$tMAT, Bulgakov, and the Art of Compromise -- $g13.$tBulgakov's Love Affairs -- $g14.$tThe Lessons of Socialist Realism -- $gIV.$tThe Age of Red Aquarius -- $g15.$tThe Cold Thaw -- $g16.$tThe Saving Idiot -- $g17.$tAt Full Voice -- $gV.$tThe Past Regained -- $g18.$tVillage Theater -- $g19.$tCity Theater -- $gVI.$tThe Strange Horse -- $g20.$tIntrusions on Political Orthodoxies -- $g21.$tThe BDT and Tolstoy's Yardstick -- $g22.$tIn Dostoevsky's Corner: Brother Alesha -- $g23.$tLady Macbeth and Junona and Avos -- $g24.$tA Tale of Inspection -- $gVII.$tThe End of Communism and the Survival of Theater -- $g25.$tDebating Adaptations -- $g26.$tKharms's Absurdities -- $g27.$tSentimentalism, Musicals, and Bulgakov Return -- $g28.$tDostoevsky's Subversions of Sentiment -- $g29.$tThe Master on Stage Again: The Master and Margarita -- $g30.$tThe Performance of Absence: Vladimir Vysotsky -- $g31.$tAdapting Tragedy -- $gVIII.$tThe Nineties and Beyond: Ends and Beginnings -- $g32.$tBeyond Politics -- $g33.$tQuoting Dostoevsky -- $g34.$tQuoting Pushkin -- $g35.$tQuoting Gogol -- $g36.$tQuoting Chekhov -- $g37.$tBeyond History.
650 0 $aTheater$zRussia (Federation)$xHistory$y20th century.$0http://id.loc.gov/authorities/subjects/sh2010116410
650 0 $aRussian literature$vAdaptations.
650 0 $aTheater$xProduction and direction$zRussia (Federation)$xHistory$y20th century.
650 0 $aRussian literature$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2008111100
852 00 $bbar$hPN2724$i.R97 2009
852 00 $bglx$hPN2724$i.R97 2009