| Record ID | marc_columbia/Columbia-extract-20221130-014.mrc:128481830:3298 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-014.mrc:128481830:3298?format=raw |
LEADER: 03298cam a22004934a 4500
001 6914813
005 20221130191443.0
008 060109s2006 nyuabf b 001 0 eng
010 $a 2006000658
015 $aGBA636011$2bnb
016 7 $a013436896$2Uk
020 $a0415324432 (hbk. : alk. paper)
020 $a9780415324434 (hbk. : alk. paper)
020 $a0415324424 (pbk. : alk. paper)
020 $a9780415324427 (pbk. : alk. paper)
020 $a0203357086 (ebk.)
020 $a9780203357088 (ebk.)
029 1 $aYDXCP$b100434909
029 1 $aYDXCP$b2423788
029 1 $aNZ1$b10646302
029 1 $aAU@$b000040660301
035 $a(OCoLC)ocm62878699
035 $a(OCoLC)62878699
035 $a(NNC)6914813
035 $a6914813
040 $aDLC$cDLC$dBAKER$dBWKUK$dYDXCP$dOCLCQ$dUKM$dBTCTA$dOrLoB-B
042 $apcc
050 00 $aPN1995$b.C622 2006
082 00 $a791.43$222
245 00 $aColor :$bthe film reader /$cedited by Angela Dalle Vacche and Brian Price.
260 $aNew York ;$aLondon :$bRoutledge,$c2006.
300 $ax, 214 pages, 6 unnumbered pages of plates :$bcolor illustrations ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aIn focus--Routledge film readers
504 $aIncludes bibliographical references (p. [202]-205) and index.
505 00 $g1.$tTechnicolor /$rSteve Neale -- $g2.$tColor consciousness /$rNatalie M. Kalmus -- $g3.$tMinor hazards : Disney and the color adventure /$rJ. P. Telotte -- $g4.$tThe post-war struggle for colour /$rDudley Andrew -- $g5.$tRemarks on color film /$rRudolf Arnheim -- $g6.$tA Bergsonian film : The Picasso mystery /$rAndre Bazin -- $g7.$tChromophobia /$rDavid Batchelor -- $g8.$tColor, the formless, and cinematic eros /$rBrian Price -- $g9.$tThe colors of haptic space : black, blue and white in moving images /$rTrond Lundemo -- $g10.$tOn colour /$rSergei Eisenstein -- $g11.$tBanishing green /$rNagisa Oshima -- $g12.$tReflections on color /$rEric Rohmer -- $g13.$tOf taste and colors /$rEric Rohmer -- $g14.$tPainting film /$rStan Brakhage -- $g15.$tHitchcock's color designs /$rRichard Allen -- $g16.$tAll that heaven allows : color, narrative space, and melodrama /$rMary Beth Haralovich -- $g17.$tDemonstrating three-strip technicolor : Becky Sharp /$rScott Higgins -- $g18.$tCostuming and the color system of Leave her to heaven /$rMarshall Deutelbaum -- $g19.$tThe articulation of color in a filmic system : Deux ou trois choses que je sais d'elle /$rEdward Branigan -- $g20.$tMichelangelo Antonioni's Red desert : painting as ventriloquism and color as movement (architecture and painting) /$rAngela Dalle Vacche -- $g21.$tBlue /$rPeter Wollen.
650 0 $aColor motion pictures.$0http://id.loc.gov/authorities/subjects/sh85028608
700 1 $aDalle Vacche, Angela,$d1954-$0http://id.loc.gov/authorities/names/n91042947
700 1 $aPrice, Brian,$d1970-$0http://id.loc.gov/authorities/names/n2006001900
830 0 $aIn focus--Routledge film readers.$0http://id.loc.gov/authorities/names/n2001038045
856 41 $3Table of contents$uhttp://www.loc.gov/catdir/toc/ecip066/2006000658.html
856 42 $3Publisher description$uhttp://www.loc.gov/catdir/enhancements/fy0654/2006000658-d.html
852 00 $bglx$hPN1995$i.C622 2006