MARC Record from marc_columbia

LEADER: 02145cam a2200421 a 4500
001 6384516
005 20221122031235.0
008 070919t20072007nyu b 001 0 eng
010 $a 2007038603
019 $a171111381
020 $a9780773457584
020 $a0773457585
024 $a40014995202
035 $a(OCoLC)173480430
035 $a(OCoLC)ocn173480430
035 $a(DLC) 2007038603
035 $a(NNC)6384516
035 $a6384516
040 $aDLC$cDLC$dYDX$dBAKER$dBTCTA$dYDXCP$dOrLoB-B
043 $an-us---
050 00 $aPS3531.O82$bZ73825 2007
082 00 $a811/.52$222
100 1 $aLewis, Ethan,$d1964-$0http://id.loc.gov/authorities/names/n00036083
245 10 $aModernist image :$brhythmic and perceptual resonance in the works of Ezra Pound and T.S. Eliot /$cEthan Lewis ; with a foreword by Ben Lockerd.
260 $aLewiston, N.Y. :$bEdwin Mellen Press,$c[2007], ©2007.
300 $aiv, 237 pages ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 227-232) and index.
505 00 $tForeword /$rBen Lockerd -- $gCh. I.$tSuper-position: Interpretive Metaphor -- $gCh. II.$tImagist Technique in the Cantos -- $gCh. III.$tEliot as 'Imagist' -- $gCh. IV.$tFour Quartets as Discursive Image: Metaphysics and Mechanics -- $gAppendix.$tGrammaria Usurae: Representational Stratgems in Canto XLV.
600 10 $aPound, Ezra,$d1885-1972$xCriticism and interpretation.
600 10 $aEliot, T. S.$q(Thomas Stearns),$d1888-1965$xCriticism and interpretation.
650 0 $aAmerican poetry$y20th century$xHistory and criticism$xTheory, etc.$0http://id.loc.gov/authorities/subjects/sh2008117585
650 0 $aModernism (Literature)$zUnited States.$0http://id.loc.gov/authorities/subjects/sh2008107886
650 0 $aSubjectivity in literature.$0http://id.loc.gov/authorities/subjects/sh94009095
650 0 $aObjectivity in literature.$0http://id.loc.gov/authorities/subjects/sh94007476
650 0 $aPoetics$xHistory$y20th century.$0http://id.loc.gov/authorities/subjects/sh2008109414
852 00 $bglx$hPS3531.O82$iZ73825 2007