| Record ID | marc_columbia/Columbia-extract-20221130-013.mrc:311673543:3870 |
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LEADER: 03870cam a2200409 a 4500
001 6373528
005 20221122030415.0
008 070719t20082008kyu b s001 0 eng
010 $a 2007029906
020 $a9780813124490 (hardcover : alk. paper)
020 $a0813124492 (hardcover : alk. paper)
024 $a40014931554
035 $a(OCoLC)154692324
035 $a(OCoLC)ocn154692324
035 $a(DLC) 2007029906
035 $a(NNC)6373528
035 $a6373528
040 $aDLC$cDLC$dBTCTA$dBAKER$dYDXCP$dC#P$dNNC$dOrLoB-B
043 $an-us---
050 00 $aPN1992.8.D48$bP45 2008
082 00 $a791.45/61$222
245 04 $aThe philosophy of TV noir /$cedited by Steven M. Sanders and Aeon J. Skoble.
260 $aLexington, Ky. :$bUniversity Press of Kentucky,$c[2008], ©2008.
300 $aviii, 272 pages ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aThe philosophy of popular culture
504 $aIncludes bibliographical references and index.
505 00 $tAn Introduction to the Philosophy of TV Noir /$rSteven M. Sanders -- $gPt. 1.$tRealism, Relativism, and Moral Ambiguity -- $tDragnet, Film Noir, and Postwar Realism /$rR. Barton Palmer -- $tNaked City: The Relativist Turn in TV Noir /$rRobert E. Fitzgibbons -- $tJohn Drake in Greeneland: Noir Themes in Secret Agent /$rSander Lee -- $tAction and Integrity in The Fugitive /$rAeon J. Skoble -- $gPt. 2.$tExistentialism, Nihilism, and the Meaning of Life -- $tNoir et Blanc in Color: Existentialism and Miami Vice /$rSteven M. Sanders -- $t24 and the Existential Man of Revolt /$rJennifer L. McMahon -- $tCarnivale Knowledge: Give Me That Old-time Noir Religion /$rEric Bronson -- $tThe Sopranos, Film Noir, and Nihilism /$rKevin L. Stoehr -- $gPt. 3.$tCrime Scene Investigation and the Logic of Detection -- $tCSI and the Art of Forensic Detection /$rDeborah Knight and George McKnight -- $tDetection and the Logic of Abduction in the X-Files /$rJerold J. Abrams and Elizabeth Cooke -- $gPt. 4.$tAutonomy, Selfhood, and Interpretation -- $tKingdom of Darkness: Autonomy and Conspiracy in The X-Files and Millennium /$rMichael Valdez Moses -- $tThe Prisoner and Self-Imprisonment /$rShai Biderman and William J. Devlin -- $tTwin Peaks, Noir, and Open Interpretation /$rJason Holt.
520 1 $a"Film noir reflects the fatalistic themes and visual style of hard-boiled novelists and many emigre filmmakers in 1940s and 1950s America, emphasizing crime, alienation, and moral ambiguity. In The Philosophy of TV Noir, Steven M. Sanders and Aeon J. Skoble argue that the legacy of film noir classics such as The Maltese Falcon, Kiss Me Deadly, and The Big Sleep is also found in episodic television from the mid-1950s to the present. In this first-of-its-kind collection, contributors from philosophy, film studies, and literature raise fundamental questions about the human predicament, giving this unique volume its moral resonance and demonstrating why television noir deserves our attention." "With this focus on the philosophical dimensions of crime, espionage, and science fiction series, The Philosophy of TV Noir draws out the full implications of film noir and establishes TV noir as an art form in its own right."--BOOK JACKET.
650 0 $aDetective and mystery television programs$zUnited States$xHistory and criticism.
650 0 $aFantasy television programs$zUnited States$xHistory and criticism.
650 0 $aFilm noir$zUnited States$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2008103720
700 1 $aSanders, Steven,$d1945-$0http://id.loc.gov/authorities/names/n79113370
700 1 $aSkoble, Aeon J.$0http://id.loc.gov/authorities/names/n98014112
830 0 $aPhilosophy of popular culture.$0http://id.loc.gov/authorities/names/no2006132997
852 00 $bglx$hPN1992.8.D48$iP45 2008