MARC Record from marc_columbia

LEADER: 04439cam a22007574a 4500
001 5027255
005 20221109210431.0
008 040622m20049999enka bc 001 0 eng
010 $a 2001095566
015 $aGBA461591$2bnb
016 7 $a012976853$2Uk
019 $a56642909$a908528924$a932863106
020 $a1857099087$q(v. 1 ;$qhardback)
020 $a9781857099089$q(v. 1 ;$qhardback)
020 $a9781857099133$q(v. 2)
020 $a1857099133$q(v. 2)
020 $a9781857093391$q(v. 3)
020 $a1857093399$q(v. 3)
035 $a(OCoLC)ocm57388272
035 $a(OCoLC)57388272$z(OCoLC)56642909$z(OCoLC)908528924$z(OCoLC)932863106
035 $a(NNC)5027255
035 $a5027255
040 $aDLC$beng$cDLC$dUKM$dC#P$dBAKER$dNLGGC$dMUQ$dBTCTA$dYDXCP$dOCLCQ$dOCLCG$dCPE$dZAD$dBNM$dCUY$dTUU$dBDX$dSGB$dOCLCF$dOCLCO$dOCLCQ$dITIRS$dN15$dOCLCO$dOCL$dOCLCQ$dQGJ
042 $apcc
043 $ae-it---$ae-uk-en
050 00 $aND615$b.N3823 2004
082 00 $a759.509/031$222
084 $a21.02$2bcl
110 2 $aNational Gallery (Great Britain)$0http://id.loc.gov/authorities/names/n80081622
245 14 $aThe sixteenth century Italian paintings /$cNicholas Penny.
246 3 $a16th century Italian paintings
260 $aLondon :$bNational Gallery Co. ;$a[New Haven, Conn.] :$bDistributed by Yale University Press,$c2004-
300 $avolumes :$billustrations (some color) ;$c30 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aNational Gallery catalogues
504 $aIncludes bibliographical references and index.
505 0 $aV. 1. Paintings from Bergamo, Brescia and Cremona -- v. 2. Venice, 1540-1600 -- v. 3 Bologna and Ferrara.
520 $aThis highly anticipated catalogue of sixteenth-century paintings from the distinguished collection of the National Gallery in London encompasses artists who were active in Bergamo, Brescia, and Cremona, cities characterized as much by the artistic interaction between them as by the influence of Venice. The artists include such well-known names as Lorenzo Lotto, Moretto, and Moroni, along with less familiar ones such as Bartolomeo Veneto and Callisto Piazza. For each of the paintings, distinguished scholar and curator Nicholas Penny provides information about technique and materials, conservation and condition, and subject and iconography. An account of the painting's original patronage is followed by a discussion of changing tastes, interpretation, and how the picture was esteemed (or neglected) over the centuries. One third of the paintings catalogued here are portraits, and entries include fascinating sections on contemporary dress, furnishings, and accessories. An appendix provides an illuminating account of some of the great collectors and collections of the past.
610 20 $aNational Gallery (Great Britain)$vCatalogs.$0http://id.loc.gov/authorities/subjects/sh2010103145
610 26 $aNational Gallery (Grande-Bretagne)$vCatalogues.
610 27 $aNational Gallery (Great Britain)$2fast$0(OCoLC)fst00546248
650 0 $aPainting, Italian$y16th century$vCatalogs.
650 0 $aPainting$zEngland$zLondon$vCatalogs.$0http://id.loc.gov/authorities/subjects/sh2008108813
650 4 $aPintura italiana$zNational Gallery (Londres)$vCatálogos.
650 6 $aPeinture italienne$y16e siècle$vCatalogues.
650 6 $aPeinture$zAngleterre$zLondres$vCatalogues.
650 7 $aPittura italiana$ySec. 16.$2bncf
650 7 $aPainting.$2fast$0(OCoLC)fst01050567
650 7 $aPainting, Italian.$2fast$0(OCoLC)fst01050910
651 7 $aEngland$zLondon.$2fast$0(OCoLC)fst01204271
650 17 $aSchilderijen.$2gtt
650 17 $aNational Gallery (Londen)$2gtt
648 7 $a1500-1599$2fast
655 7 $aCatalogs.$2fast$0(OCoLC)fst01423692
700 1 $aPenny, Nicholas,$d1949-$0http://id.loc.gov/authorities/names/n80131365
810 2 $aNational Gallery (Great Britain).$tNational Gallery catalogues.
856 42 $3Contributor biographical information$uhttp://catdir.loc.gov/catdir/enhancements/fy0612/2001095566-b.html
856 42 $3Publisher description$uhttp://catdir.loc.gov/catdir/enhancements/fy0612/2001095566-d.html
852 81 $bfax$hND615$iP38
866 41 $80$av.1-3
852 01 $bbar,stor$hND615$i.N3825 2004g
866 41 $80$av. 1
852 01 $bbar$hND615$i.N3823 2004g
866 41 $80$av. 2