| Record ID | marc_columbia/Columbia-extract-20221130-009.mrc:263142401:5851 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-009.mrc:263142401:5851?format=raw |
LEADER: 05851cam a2200673Ma 4500
001 4243768
005 20220604225422.0
006 m o d
007 cr cn|||||||||
008 001009s1998 nhua ob 001 0 eng d
010 $a 97043017
035 $a(OCoLC)ocm45731443
035 $a(NNC)4243768
040 $aN$T$beng$epn$cN$T$dOCL$dOCLCQ$dMUQ$dOCLCQ$dN$T$dOCLCQ$dTUU$dOCLCQ$dTNF$dOCLCQ$dZCU$dOCLCO$dOCLCF$dOCLCQ$dVLB$dOCLCQ$dOCL$dOCLCQ$dOCL$dOCLCQ$dVT2$dMWM$dSUR$dZ5A$dOCLCQ$dSAV$dQT7$dLUE$dOCLCQ$dINT$dTOF$dOCLCQ$dCHBRC$dUKSSU$dLUN$dAJS$dOCLCO
019 $a532795385$a967628124$a970766442$a984864943$a1007386491$a1050972962$a1053044229$a1135426401$a1167437799$a1196968798
020 $a9781611681017$q(electronic bk.)
020 $a1611681014$q(electronic bk.)
020 $a0585256535$q(electronic bk.)
020 $a9780585256535$q(electronic bk.)
020 $a9780874517651
020 $a0874517656
020 $z0874517656$q(cl ;$qalk. paper)
035 $a(OCoLC)45731443$z(OCoLC)532795385$z(OCoLC)967628124$z(OCoLC)970766442$z(OCoLC)984864943$z(OCoLC)1007386491$z(OCoLC)1050972962$z(OCoLC)1053044229$z(OCoLC)1135426401$z(OCoLC)1167437799$z(OCoLC)1196968798
050 4 $aNX650.A73$bR55 1998eb
072 7 $aART$x025000$2bisacsh
072 7 $aART$x060000$2bisacsh
082 04 $a700/.1/030904$221
049 $aZCUA
100 1 $aRiley, Charles A.
245 14 $aThe saints of modern art :$bthe ascetic ideal in contemporary painting, sculpture, archietecture, music, dance, literature, and philosophy /$cCharles A. Riley II.
260 $aHanover :$bUniversity Press of New England,$c©1998.
300 $a1 online resource (xv, 353 pages) :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aIncludes bibliographical references (pages 333-340) and index.
588 0 $aPrint version record.
505 0 $aThe ascetic ideal in contemporary painting. The habit of perfection : Piet Mondrian -- The floating world : Joan Miró -- Written in white : Mark Tobey -- Pilgrimage to the sublime : Barnett Newman -- A mind of winter : Jasper Johns -- Instant apotheosis : Robert Mapplethorpe -- The priestess of perfection : Agnes Martin -- Travelling the ellipse : Robert Mangold -- Sense and sensibility : Brice Marden -- The prison house of abstraction : Peter Halley -- Effacing the grid : Nancy Haynes -- White light : Mark Milloff -- Pursuing the line : Theresa Chong. Asceticism and sculpture. The solitude of objects : Alberto Giacometti -- Drawing in air : David Smith -- Caught in the web : Eva Hesse -- An art of meditation : Isamu Noguchi -- Present perfect : Donald Judd -- Virtue like jade : Yu Yu Yang -- The noiseless, patient sculptor : Mark di Suvero.
505 0 $aThe art of public withdrawal : Bruce Nauman. Asceticism and architecture. The prophet : Frank Lloyd Wright -- The priest : Mies van der Rohe -- The mandarin : I.M. Pei -- Our glassy essence : a few contemporary architects. Asceticism in music and the dance. The ascetic as dandy : Claude Debussy -- The voice of angels : Olivier Messiaen -- Musician of silence : John Cage -- Complexity and contradiction : Elliott Carter -- The master craftsman : Steve Reich -- The lawmaker : Philip Glass -- The last puritan : Glenn Gould -- Asceticism in the dance -- The taskmaster : George Balanchine -- Silent redemption : Doris Humphrey -- The wizard of solitude : Merce Cunningham -- Our lady of pain : Pina Bausch. Asceticism in literature and philosophy.
505 0 $aThe comfortable hermit : Søren Kierkegaard -- Elected silence : Gerard Manley Hopkins -- The poet of purity : Stéphane Mallarmé -- Delicious recoil : Marcel Proust and Walter Pater -- Sages in the holy fire : W.B. Yeats and T.S. Eliot -- A world of cinders : T.E. Hulme -- The sensible ascetic : William James -- The habit of indifference : Samuel Beckett -- Metaphysics in retreat : Martin Heidegger -- Baroque of the void : Robert Musil -- Corrected out of existence : Thomas Bernhard -- The freedom of nothingness : Jean-Paul Sartre -- Blood on snow : Simone Weil -- An effaced order : Michel Foucault -- The poet as pilgrim : Seamus Heaney -- How perfect is it : Walter Abish.
520 $aThis suite of brief and lively essays, based largely on interviews and studio visits, explores what Charles A. Riley II calls "one of the most vital (and misunderstood) creative forces in modern art, architecture, music, dance, literature, and philosophy: the pursuit of perfection." Riley examines many contemporary figures who exemplify the ascetic impulse in their work and life. These artists examined through the lens of asceticism, serve as focal points in Riley's consideration of cultural issues such as the role of spirituality in contemporary art, the interaction of Western and Asian traditions, and the relationship between the artists' lives and work.
546 $aEnglish.
650 0 $aAsceticism in art.
650 0 $aArts, Modern$y20th century.
650 0 $aArts, Modern.
650 6 $aAscétisme dans l'art.
650 6 $aArts$y20e siècle.
650 7 $aART$xReference.$2bisacsh
650 7 $aART$xPerformance.$2bisacsh
650 7 $aArts, Modern.$2fast$0(OCoLC)fst00818137
650 7 $aAsceticism in art.$2fast$0(OCoLC)fst00818442
650 7 $aFine Arts - General.$2hilcc
650 7 $aArt, Architecture & Applied Arts.$2hilcc
648 7 $a1900-1999$2fast
655 0 $aElectronic books.
655 4 $aElectronic books.
776 08 $iPrint version:$aRiley, Charles A.$tSaints of modern art.$dHanover : University Press of New England, ©1998$z0874517656$w(DLC) 97043017$w(OCoLC)37806210
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio4243768$zAll EBSCO eBooks
852 8 $blweb$hEBOOKS