| Record ID | marc_columbia/Columbia-extract-20221130-005.mrc:423091266:2770 |
| Source | marc_columbia |
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LEADER: 02770mam a2200409 a 4500
001 2327620
005 20220616022307.0
008 981006t19991999ctua b 001 0 eng
010 $a 98047309
015 $aGB99-Y8000
020 $a0300077785 (cloth : alk. paper)
035 $a(OCoLC)ocm40135300
035 $9APJ8545CU
035 $a2327620
040 $aDLC$cDLC$dUKM$dC#P$dVVC$dOrLoB-B
043 $ae-uk-en
050 00 $aNC1473$b.H36 1999
082 00 $a769.942$221
100 1 $aHallett, Mark,$d1965-$0http://id.loc.gov/authorities/names/n98090367
245 14 $aThe spectacle of difference :$bgraphic satire in the age of Hogarth /$cMark Hallett.
260 $aNew Haven [Conn.] :$bPublished for the Paul Mellon Centre for Studies in British Art by Yale University Press,$c[1999], ©1999.
300 $axii, 259 pages :$billustrations ;$c27 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. [246]-253) and index.
505 00 $tIntroduction: Two Satires --$g1.$tPictures of Malice --$g2.$tTranslations --$g3.$tRe-Reading A Harlot's Progress --$g4.$tSatire, Politics and Party --$g5.$tSatire and the Street: The Beaux Disaster --$g6.$tThe Spectacle of Difference.
520 1 $a"In this original book, Mark Hallett offers a new perspective on English satirical prints of the first half of the eighteenth century, recovering their dual status as ambitious works of graphic art and as eloquent pictorial commentaries on urban culture and politics. Hallett examines the distinctive characteristics of graphic satire as an artistic genre and as a vehicle of social and political critique.
520 8 $aHe investigates a wide variety of the most important graphic satires of the period, from the celebrated engravings of William Hogarth to those of other inventive artists like John Sturt, Anthony, Walker, John June, Hubert Francois Gravelot and the two George Bickhams.
520 8 $aHe shows how contemporary satirists mixed the materials of high and low art to create hybrid and provocative images that dealt with a broad range of controversial issues, including alcoholism, the excesses of fashion, financial collapse, freemasonry, political corruption and prostitution."--BOOK JACKET.
650 0 $aEnglish wit and humor, Pictorial.$0http://id.loc.gov/authorities/subjects/sh85043985
650 0 $aCaricature$zEngland$xHistory$y18th century$xThemes, motives.
650 4 $aPrints, English.
650 4 $aPrints$y18th century.
650 4 $aWit and humor, Pictorial$y18th century$zEngland.
710 2 $aPaul Mellon Centre for Studies in British Art.$0http://id.loc.gov/authorities/names/n79109777
852 80 $bfax$hNE628$iH15
852 00 $bbar$hNC1473$i.H36 1999