| Record ID | marc_columbia/Columbia-extract-20221130-004.mrc:346064749:3283 |
| Source | marc_columbia |
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LEADER: 03283mam a2200433 a 4500
001 1764549
005 20220608230943.0
008 960321t19961996enka 001 0 eng d
010 $agb 96020015 $z 95062232
015 $aGB96-20015
020 $a0300067011
035 $a(OCoLC)ocm34558348
035 $9ALH7936CU
035 $a(NNC)1764549
035 $a1764549
040 $aUKM$cUKM$dOrLoB-B
043 $ae-fr---
082 04 $a759.4$220
100 1 $aMachotka, Pavel.$0http://id.loc.gov/authorities/names/n80139667
245 10 $aCézanne :$blandscape into art /$cPavel Machotka.
260 $aNew Haven :$bLondon :$bYale University Press,$c[1996], ©1996.
300 $axiv, 157 pages :$billustrations (some color) ;$c29 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aBibliography: p. 151-154.
500 $aIncludes index.
505 00 $tIntroduction: Looking at Cezanne --$g1.$tNarration and Vision --$g2.$tSeeing Objects and Seeing Paintings --$g3.$tThe Motifs: Choices and Transformations --$g4.$tEarly Landscapes: 1866-1874 --$g5.$tAchievement of a Consistent Touch: 1875-1884 --$g6.$tLandscapes of his Maturity: 1885-1894 --$g7.$tLate Landscapes: 1895-1906 --$g8.$tOther Comparisons.
520 $aThis beautiful book presents a new perspective on Paul Cezanne, one of the towering and most influential figures of nineteenth-century art. Pavel Machotka has photographed the sites of Cezanne's landscape paintings - whenever possible from the same spot and at the same time of day that Cezanne painted the scenes. Juxtaposing these color photographs with reproductions of the paintings, he offers a dazzling range of evidence to demonstrate how the great painter transformed nature into works of art.
520 8 $aMachotka, himself an artist, moves from painting to painting, examining textures and surfaces, pictorial rhythms, and inflections of tone.
520 8 $aAs he analyzes Cezanne's treatment of individual sites, their transposition into forms and colors, and the artist's responsiveness to the demands of each unique composition, we begin to see Cezanne as he saw himself: not as an early Cubist, but as a painter who explored every aspect of his motif for its rich compositional potential and presented a parallel and faithful conception of it.
520 8 $aUsing color to define form, while retaining hues that are anchored in reality, Cezanne achieved sensuous reconstructions, rather than intellectual depictions like those of the Cubists. While there are other books on Cezanne's landscapes, none is as closely informed by painterly knowledge and perception or as complete in its grasp of Cezanne's period and geography as this one. A visual delight, it is also an illuminating and original interaction with the artist's work.
600 14 $aCézanne, Paul,$d1839-1906$xCriticism and interpretation.
650 0 $aImpressionism (Art)$zFrance.$0http://id.loc.gov/authorities/subjects/sh2008104318
650 0 $aLandscapes in art.$0http://id.loc.gov/authorities/subjects/sh85074423
653 0 $aPaintings
653 0 $aFrance
700 1 $aCézanne, Paul,$d1839-1906.$0http://id.loc.gov/authorities/names/n79055446
852 80 $bfax$hND553 C33$iM26
852 00 $bbar$hND553.C33$iM26 1996