| Record ID | marc_columbia/Columbia-extract-20221130-004.mrc:328304438:3185 |
| Source | marc_columbia |
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LEADER: 03185fam a2200385 a 4500
001 1750195
005 20220608225038.0
008 940715s1995 nyua b 001 0 eng
010 $a 94030277
020 $a187882242X
035 $a(OCoLC)30893904
035 $a(OCoLC)ocm30893904
035 $9ALG1864CU
035 $a(NNC)1750195
035 $a1750195
040 $aDLC$cDLC$dDLC$dNNC$dOrLoB-B
050 00 $aML197$b.C749 1995
082 00 $a780/.9/04$220
245 00 $aConcert music, rock, and jazz since 1945 :$bessays and analytical studies /$cedited by Betsy Marvin and Richard Hermann.
260 $aRochester, NY :$bUniversity of Rochester Press,$c1995.
300 $ax, 449 pages :$billustrations ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aEastman studies in music,$x1071-9989
504 $aIncludes bibliographical references and index.
505 00 $tIntroduction /$rElizabeth West Marvin and Richard Hermann --$tBeyond Unity: Toward an Understanding of Musical Postmodernism /$rJonathan D. Kramer --$tThe Art-Science of Music after Two Millennia /$rRobert Cogan --$tAspects of Confluence between Western Art Music and Ethnomusicology /$rRobert D. Morris --$tTwelve-Tone Composition and the Music of Elliott Carter /$rAndrew Mead --$tAn Analysis of Polyrhythm in Selected Improvised Jazz Solos /$rCynthia Folio --$tA Generalization of Contour Theory to Diverse Musical Spaces: Analytical Applications to the Music of Dallapiccola and Stockhausen /$rElizabeth West Marvin --$tThe Beatles as Composers: The Genesis of Abbey Road, Side Two /$rWalter Everett --$tStructural Factors in the Microcanonic Compositions of Gyorgy Ligeti /$rJane Piper Clendinning --$tTheory, Analysis, and the "Problem" of Minimal Music /$rJonathan W. Bernard --$tThe Question of Climax in Ruth Crawford's String Quartet, Mvt. 3 /$rEllie M. Hisama --
505 80 $tDoes the Song Remain the Same? Questions of Authorship and Identification in the Music of Led Zeppelin /$rDave Headlam --$tTheories of Chordal Shape, Aspects of Linguistics, and their Roles in Structuring Berio's Sequenza IV for Piano /$rRichard Hermann --$tStylistic Competencies, Musical Satire, and "This is Spinal Tap" /$rJohn Covach --$tMusic Theory and the Postmodern Muse: An Afterword /$rNicholas Cook.
520 $aThis volume of fourteen essays surveys a diverse range of compositional practices and analytical approaches to music from the second half of the century. The book is divided into three sections: Compositional Poietics, Some Structuralist Approaches, and Insights from Other Disciplines.
650 0 $aMusic$y20th century$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2001000180
650 0 $aPopular music$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2008109787
700 1 $aMarvin, Elizabeth West,$d1955-$0http://id.loc.gov/authorities/names/n94068426
700 1 $aHermann, Richard,$d1950-$0http://id.loc.gov/authorities/names/n94068428
830 0 $aEastman studies in music.$0http://id.loc.gov/authorities/names/n93090808
852 00 $bmus$hML197$i.C749 1995
852 00 $bmus$hML197$i.C749 1995