| Record ID | marc_columbia/Columbia-extract-20221130-001.mrc:485488167:1198 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-001.mrc:485488167:1198?format=raw |
LEADER: 01198cam a2200361 4500
001 390523
005 20220519012904.0
008 850924s1973 ctug b 001 0 eng
010 $a 72091295
020 $a0300016107
035 $a(OCoLC)793352
035 $a(OCoLC)ocm00793352
035 $a(CStRLIN)NYCG85-B92725
035 $9ABS8452CU
035 $a(NNC)390523
035 $a390523
050 00 $aML3811$b.F66
082 0 $a781/.22
090 $aML3811$b.F66
100 1 $aForte, Allen.$0http://id.loc.gov/authorities/names/n50025191
245 14 $aThe structure of atonal music.
260 $aNew Haven :$bYale University Press,$c1973.
300 $aix, 224 pages :$bmusic ;$c27 cm
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
504 $aBibliography: p. 213.
650 0 $aTonality.$0http://id.loc.gov/authorities/subjects/sh85135965
650 0 $aMusical pitch.$0http://id.loc.gov/authorities/subjects/sh85089013
650 0 $aMusic$y20th century$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2001000180
852 00 $bmus$hML3811$i.F66
852 00 $boff,mus$hML3811$i.F66
852 00 $bmus$hML3811$i.F66