| Record ID | marc_claremont_school_theology/CSTMARC1_multibarcode.mrc:6839642:4277 |
| Source | marc_claremont_school_theology |
| Download Link | /show-records/marc_claremont_school_theology/CSTMARC1_multibarcode.mrc:6839642:4277?format=raw |
LEADER: 04277cam a2201009 4500
001 ocm00126700
003 OCoLC
005 20200617073630.7
008 710311s1970 nyua b 001 0 eng
010 $a 77085450
040 $aDLC$beng$cDLC$dNLC$dBAKER$dBTCTA$dYDXCP$dEAU$dUKV3G$dTOL$dGEBAY$dZWZ$dUKMGB$dJYJ$dBDX$dGBVCP$dDEBBG$dOCLCF$dOCLCO$dOCLCQ$dOCLCO$dSFR$dOCLCQ$dUEJ$dXFF$dTYC$dOCLCQ$dOCLCO$dOCLCQ$dGILDS$dOCLCA$dQGE$dKFH$dUKUOY$dOCLCA$dOCLCQ$dOCLCO$dEXG$dOCLCO
015 $aGB7118350$2bnb
015 $a20020120249$2can
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016 7 $a002453433$2Uk
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020 $a0520017056
020 $a9780520017054
029 1 $aAU@$b000000214941
029 1 $aAU@$b000057733656
029 1 $aDEBBG$bBV002964283
029 1 $aGBVCP$b12230733X
029 1 $aGEBAY$b10996521
029 1 $aHEBIS$b024844195
029 1 $aHR0$b0520017056
029 1 $aNLC$b000001655693
029 1 $aNLGGC$b780704363
029 1 $aNZ1$b1015343
029 1 $aNZ1$b4449405
029 1 $aUKDEL$b056510446
029 1 $aUKMGB$b002453433
029 1 $aUNITY$b056510446
035 $a(OCoLC)00126700$z(OCoLC)59157096$z(OCoLC)976550430$z(OCoLC)1000563121$z(OCoLC)1006247706$z(OCoLC)1008148063$z(OCoLC)1021301741$z(OCoLC)1048970489$z(OCoLC)1052137197$z(OCoLC)1055935611$z(OCoLC)1056846680$z(OCoLC)1124479218
050 00 $aBL604.H6$bM44
050 4 $aBL604.H6$bM44 1970
055 02 $aBL604*
072 7 $acoll4$2lacc
082 00 $a246/.55
084 $acci1icc$2lacc
084 $acoll4$2lacc
084 $aLH 82700$2rvk
084 $a6,12$2ssgn
049 $aMAIN
100 1 $aMellinkoff, Ruth.
245 14 $aThe horned Moses in medieval art and thought.
260 $aBerkeley,$bUniversity of California Press,$c1970.
300 $axix, 210 pages$b130 illustrations$c27 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aCalifornia studies in the history of art,$v14
504 $aIncludes bibliographical references (pages 185-201).
505 0 $aEleventh-century England, the place where Moses first is represented with horns -- Eleventh-century England: a place of originality -- The stimulus from vernacular texts -- The possible influence of liturgical drama on the new iconography for Moses -- Ancient use of horns on helmets reflected in the horned headdress of Moses in the Aelfric Paraphrase -- The spread of the horned Moses image -- Commentary of the theologians -- The bishop's mitre -- Religious literature of the Middle Ages -- Ambiguity of the meaning of horns: horns of dishonor as well as horns of honor.
590 $bArchive
600 00 $aMoses$c(Biblical leader)$vArt.
600 16 $aMoïse$c(Chef biblique)$vArt.
600 07 $aMoses$c(Biblical leader)$2fast$0(OCoLC)fst00036088
600 07 $aMose$cBiblische Person$2gnd
600 07 $aMoïse$c(personnage biblique)$2ram
600 17 $aMose.$2swd
650 0 $aHorns$xReligious aspects.
650 0 $aArt, Medieval.
650 0 $aHorns in art.
650 6 $aCornes$xAspects religieux.
650 6 $aCornes dans l'art.
650 7 $aArt, Medieval.$2fast$0(OCoLC)fst00816576
650 7 $aHorns in art.$2fast$0(OCoLC)fst00960352
650 7 $aHorns$xReligious aspects.$2fast$0(OCoLC)fst00960340
650 7 $aGehörn$gMotiv$2gnd
650 7 $aIkonographie$2gnd
650 7 $aSymbolik$2gnd
650 7 $aCheval$xAspect religieux.$2ram
648 7 $aGeschichte 500-1960$2swd
648 7 $aGeschichte 2340 v. Chr.-1960$2swd
653 0 $aArt, Medieval
653 0 $aHorns$aReligious aspects
653 0 $aHorns in art
653 0 $aMoses$a(Biblical leader)$aArt
655 7 $aArt.$2fast$0(OCoLC)fst01423702
655 7 $aArt.$2lcgft
830 0 $aCalifornia studies in the history of art ;$v14.
938 $aBaker & Taylor$bBKTY$c47.50$d47.50$i0520017056$n0000374365$sactive
938 $aBrodart$bBROD$n23287306$c$47.50
938 $aBaker and Taylor$bBTCP$n77085450 //r923
938 $aYBP Library Services$bYANK$n445121
994 $a92$bCST
976 $a10017002634