MARC record from Internet Archive

LEADER: 03143cam 2200613Ia 4500
001 ocn821864333
003 OCoLC
005 20160206194238.0
008 121218t20122011nyu b 001 0 eng d
040 $aJSE$beng$cJSE$dYDXCP$dNZLPP$dGE8$dBDX$dOCLCF$dOCLCO$dOCL$dOCLCQ
020 $a9780143122227$q(pbk.)
020 $a0143122223$q(pbk.)
035 $a(OCoLC)821864333
043 $ae-it---
050 14 $aPR2880.V4$bW56 2012
082 04 $a822.33$223
100 1 $aWills, Garry,$d1934-
245 10 $aVerdi's Shakespeare :$bmen of the theater /$cGarry Wills.
260 $aNew York :$bPenguin Books,$c2012, ℗♭2011.
300 $axi, 225 pages ;$c20 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
505 0 $aMacbeth. Macbeth's first performers ; Diabolisms, old and new ; Psychological depth ; Lady -- Otello. Rossini's Otello ; Boito ; Othello's and Otello's first performers ; Cosmic reach ; Cosmic ruin ; Between cultures -- Falstaff. Musical Falstaffs ; Falstaff's first performers ; Inflation ; Deflation ; Levitation.
520 $aExplores the writing and staging of Verdi's three triumphant Shakespearian operas: Macbeth, Othello, and Falstaff. An Italian composer who couldn't read a word of English but adored Shakespeare, Verdi devoted himself to operatic productions that authentically incorporated the playwright's texts. Wills focuses on the intense working relationships both Shakespeare and Verdi had with the performers and producers of their works.
600 10 $aShakespeare, William,$d1564-1616$vAdaptations$xHistory and criticism.
600 10 $aShakespeare, William,$d1564-1616$xInfluence.
600 10 $aVerdi, Giuseppe,$d1813-1901$xCriticism and interpretation.
600 10 $aVerdi, Giuseppe,$d1813-1901$xKnowledge$xLiterature.
650 0 $aOpera$zItaly$y19th century.
650 0 $aTheater$zItaly$xHistory$y19th century.
600 10 $aShakespeare, William,$d1564-1616$xRelations with actors.
600 10 $aVerdi, Giuseppe,$d1813-1901$xRelations with actors.
600 17 $aShakespeare, William,$d1564-1616.$2fast$0(OCoLC)fst00029048
600 17 $aVerdi, Giuseppe,$d1813-1901.$2fast$0(OCoLC)fst00033445
650 7 $aArt.$2fast$0(OCoLC)fst00815177
650 7 $aInfluence (Literary, artistic, etc.)$2fast$0(OCoLC)fst00972484
650 7 $aOpera.$2fast$0(OCoLC)fst01046145
650 7 $aRelations with actors.$2fast$0(OCoLC)fst01354321
650 7 $aTheater.$2fast$0(OCoLC)fst01149217
651 7 $aItaly.$2fast$0(OCoLC)fst01204565
648 7 $a1800 - 1899$2fast
655 7 $aAdaptations.$2fast$0(OCoLC)fst01423910
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
655 7 $aLiterature.$2fast$0(OCoLC)fst01921716
938 $aBrodart$bBROD$n102689032
938 $aYBP Library Services$bYANK$n8752400
029 1 $aAU@$b000050370846
029 1 $aDEBSZ$b383824745
029 1 $aNZ1$b14771905
994 $aZ0$bPMR
948 $hNO HOLDINGS IN PMR - 31 OTHER HOLDINGS