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050 4 $aPN56.T5$bC384 2013
072 7 $aLIT$x006000$2bisacsh
072 7 $aLIT006000$2bisacsh
072 7 $aLIT000000$2bisacsh
082 04 $a801/.3$223
100 1 $aCurrie, Mark,$d1962-$eauthor.
245 14 $aThe unexpected :$bnarrative temporality and the philosophy of surprise /$cMark Currie.
264 1 $aEdinburgh :$bEdinburgh University Press,$c[2013]
264 4 $c©2013
300 $a1 online resource (vii, 184 pages).
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aThe Frontiers of Theory
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction: What lies ahead -- Part I. Surprise and the theory of narrative. A flow of unforeseeable novelty ; Narratological approaches to the unforeseeable -- Part II. The unpredictable and the future anterior. Prediction and the age of the unknowable ; What will have happened: writing and the future perfect ; The untimely and the messianic -- Part III. Time flow and the process of reading. Narrative modality: Possibility, probability and the passage of time ; Temporal perspective: narrative futurity and the distribution of knowledge -- Part IV. The unforeseeable in fictional form. Maximum peripeteia: reversal of fortune and the rhetoric of temporal doubling ; Freedom and the inescapable future ; The philosophy of grammar.
520 $a"Focusing on surprise, spontaneous eruption and the unforeseeable, The Unexpected argues that stories help us to reconcile what we expect with what we experience. Though narrative is often understood a recapitulation of past events, the book argues that the unexpected and the future anterior, a future that is already complete, are guiding ideas for new understandings of the reading process. It also points beyond that to some of the key temporal concepts of our epoch, of unpredictability, the event, the untimely and the messianic. The Unexpected is an important intervention in narratology and a striking general argument about the cultural significance of surprise. The enquiry is developed by a range of new readings in philosophy and theory, as well as of Sarah Waters's Fingersmith, Kazuo Ishiguro's Never Let Me Go and Julian Barnes's The Sense of an Ending."--$cProvided by publisher.
545 0 $aMark Currie is Professor of Contemporary Literature at Queen Mary, University of London.
588 0 $aPrint version record.
546 $aEnglish.
650 0 $aNarration (Rhetoric)
650 0 $aTime in literature.
650 0 $aFuture, The, in literature.
650 0 $aSurprise in literature.
650 6 $aNarration.
650 6 $aTemps dans la littérature.
650 6 $aFutur dans la littérature.
650 6 $aSurprise dans la littérature.
650 7 $aLITERARY CRITICISM$xSemiotics & Theory.$2bisacsh
650 7 $aFuture, The, in literature.$2fast$0(OCoLC)fst01899776
650 7 $aNarration (Rhetoric)$2fast$0(OCoLC)fst01032927
650 7 $aSurprise in literature.$2fast$0(OCoLC)fst01139535
650 7 $aTime in literature.$2fast$0(OCoLC)fst01151108
650 7 $aErzähltheorie$2gnd
650 7 $aRoman$2gnd
650 7 $aÜberraschung$gMotiv$2gnd
650 7 $aModalität$2gnd
655 7 $aLiterary criticism.$2fast$0(OCoLC)fst01986215
655 0 $aElectronic books.
655 4 $aElectronic books.
655 7 $aLiterary criticism.$2lcgft
655 7 $aCritiques littéraires.$2rvmgf
776 08 $iPrint version:$aCurrie, Mark, 1962-$tUnexpected.$dEdinburgh : Edinburgh University Press, ©2013$z9780748676293$w(OCoLC)820779690
830 0 $aFrontiers of theory.
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