MARC record from Internet Archive

LEADER: 03385cam a2200457 a 4500
001 004287977
005 20100406135656.0
008 091005s2010 ncu b 001 0 eng
010 $a2009039108
015 $aGBB009380$2bnb
016 7 $a015473700$2Uk
020 $a9780822346890$qcloth$qalkaline paper
020 $a0822346893$qcloth$qalkaline paper
020 $a9780822347002$qpaperback$qalkaline paper
020 $a0822347008$qpaperback$qalkaline paper
035 $a454364254
040 $aNcD/DLC$beng$cDLC$dYDX$dUKM$dYDXCP$dCDX$dCOO
042 $apcc
043 $an-usu--
049 $aNDDP
050 00 $aML3551$b.M56 2010
082 00 $a781.64089/00973$222
100 1 $aMiller, Karl Hagstrom,$d1968-$0http://id.loc.gov/authorities/names/n96056863
245 10 $aSegregating sound :$binventing folk and pop music in the age of Jim Crow /$cKarl Hagstrom Miller.
260 $aDurham [N.C.] :$bDuke University Press,$c2010.
300 $aix, 372 p. ;$c25 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aRefiguring American music
505 0 $aTin Pan Alley on tour : the Southern embrace of commercial music -- Making money making music : the education of Southern musicians in local markets -- Isolating folk, isolating songs : reimagining Southern music as folklore -- Southern musicians and the lure of New York City : representing the South from coon songs to the blues -- Talking machine world : discovering local music in the global phonograph industry -- Race records and old-time music : the creation of two marketing categories in the 1920s -- Black folk and hillbilly pop : industry enforcement of the musical color line -- Reimagining pop tunes as folk songs : the ascension of the folkloric paradigm -- Afterword: "All songs is folk songs".
504 $aIncludes bibliographical references and index.
650 0 $aMusic and race$0http://id.loc.gov/authorities/subjects/sh85088890$zSouthern States$0http://id.loc.gov/authorities/subjects/sh85125633$xHistory$y19th century.$0http://id.loc.gov/authorities/subjects/sh2002006167
650 0 $aMusic and race$0http://id.loc.gov/authorities/subjects/sh85088890$zSouthern States$0http://id.loc.gov/authorities/subjects/sh85125633$xHistory$y20th century.$0http://id.loc.gov/authorities/subjects/sh2002006165
650 0 $aFolk music$zSouthern States$0http://id.loc.gov/authorities/subjects/sh2008120800$xHistory$y19th century.$0http://id.loc.gov/authorities/subjects/sh2002006167
650 0 $aFolk music$zSouthern States$0http://id.loc.gov/authorities/subjects/sh2008120800$xHistory$y20th century.$0http://id.loc.gov/authorities/subjects/sh2002006165
650 0 $aPopular music$0http://id.loc.gov/authorities/subjects/sh85088865$zSouthern States$0http://id.loc.gov/authorities/subjects/sh85125633$xHistory$y19th century.$0http://id.loc.gov/authorities/subjects/sh2002006167
650 0 $aPopular music$0http://id.loc.gov/authorities/subjects/sh85088865$zSouthern States$0http://id.loc.gov/authorities/subjects/sh85125633$xHistory$y20th century.$0http://id.loc.gov/authorities/subjects/sh2002006165
650 0 $aAfrican Americans$xSegregation.$0http://id.loc.gov/authorities/subjects/sh85001982
830 0 $aRefiguring American music.$0http://id.loc.gov/authorities/names/no2007020040
029 1 $aCDX$b11037854