MARC record from Internet Archive

LEADER: 02316cam 2200529 i 4500
001 9925162172701661
005 20150423153722.0
008 130605s2014 nyua b 001 0 eng
010 $a 2013019584
019 $a842884097$a842884098
020 $a9780231167949 (cloth : alk. paper)
020 $a0231167946 (cloth : alk. paper)
020 $a9780231167956 (pbk. : alk. paper)
020 $a0231167954 (pbk. : alk. paper)
020 $a9780231537896 (e-book)
020 $a0231537891 (e-book)
035 $a(OCoLC)842879083
035 $a(OCoLC)ocn842879083
040 $aDLC$erda$beng$cDLC$dYDX$dBTCTA$dYDXCP$dOCLCF$dOCLCO$dBDX
042 $apcc
043 $an-us---
049 $aCNUM
050 00 $aPN1993.5.U6$bK466 2013
082 00 $a791.430973$223
100 1 $aKing, Geoff,$d1960-$eauthor.
245 10 $aIndie 2.0 :$bchange and continuity in contemporary American indie film /$cGeoff King.
264 1 $aNew York :$bColumbia University Press,$c[2014]
300 $aix, 301 pages ;$c24 cm
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction: discourses on the state of indie film -- Quirky by design? irony vs. sincerity in Little Miss Sunshine and Juno -- Industry 2.0: the digital domain and beyond -- Mumblecore -- Social realism and art cinema: the films of Kelly Reichardt and Ramin Bahrani -- The desktop aesthetic: first-person expressive in Tarnation and Four eyed monsters -- Conclusion: indie lives!.
648 7 $a2000 - 2099$2fast
650 0 $aIndependent films$zUnited States$xHistory and criticism.
650 0 $aMotion pictures$zUnited States$xHistory$y21st century.
650 7 $aIndependent films.$2fast$0(OCoLC)fst01738681
650 7 $aMotion pictures.$2fast$0(OCoLC)fst01027285
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
938 $aBaker and Taylor$bBTCP$nBK0013293159
938 $aYBP Library Services$bYANK$n10704105
938 $aBrodart$bBROD$n109154622
947 $fHUMANITIES$hBOOK$p$28.50$q1
949 $aPN1993.5.U6 K466 2013$i31786102888192
994 $a92$bCNU